Re: solarplate images up on my website
Jon, I should have been more specific--no black ink used in the colorized neg, greyscale neg using all inks like you're talking about, below. I am very interested in what you say about David Hoptman because I thought he was using color ink only...also, he is the one that uses a 2/3 (!) aquatint exposure to a 1/3 positive. Dan Welden has an example of an image in his book that is done, for instance, with a 1mn45sec aquatint and a 10sec (!) positive exposure on p. 87. That blows me away. This is why I wonder about the question of image determining in part the choice of aquatint time. I just love this list--to find other solarplatists willing to share their work in the trenches. Chris ----- Original Message ----- From: "Jon Lybrook" <jon@terabear.com> To: <alt-photo-process-l@usask.ca> Sent: Friday, February 23, 2007 9:38 AM Subject: Re: solarplate images up on my website Christina Z. Anderson wrote:One last thing: I found that using a colorized ink neg a la PDN vs a greyscale neg on the 2400 (all inks) produced better blacks. Who knows why that is.I know David Hoptman uses greyscale 2880 dpi using all colored inks for his inkjet transparencies very successfully since moving from imagesetter transparencies to inkjet. I don't. I use black ink only currently.
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