U of S | Mailing List Archive | alt-photo-process-l | RE: Warning re Christopher James book

RE: Warning re Christopher James book



On Mon, 10 Mar 2008, BOB KISS wrote:

DEAR JUDY,
	Just a quick question regarding grammar.  Shouldn't it be "sets-up"
not "set-ups"?  I defer to your knowledge so please advise...
		CHEERS!
			BOB
Well Bob, be my guest -- but I think the hyphen turns the whole thing into the noun. "Sets-up" feels awkward & unclear (to me anyway) plus we're only doing one at a time.

HOWEVER, you force me to consult the Oxford American Dictionary, which lists both "set-to" and "set-up" as nouns. "Set-to" is "a fight or argument (colloquial)"; "set-up" has 4 meanings, the first being "an arrangement or organization," the last "the glass, ice, mixers, etc., for preparing alcoholic drinks."

cheers,

Judy


-----Original Message-----
From: Judy Seigel [mailto:jseigel@panix.com]
Sent: Sunday, March 09, 2008 12:42 AM
To: alt-photo-process-l@usask.ca
Subject: Warning re Christopher James book


I finally got through the week's mess (don't ask!!) and a quiet time to
open this book, which I soon realized was dangerous.  I felt myself
getting sucked in, not just here and there, but all over the place, it
taking an enormous effort of will to regain, what shall I say?,
"consciousness" !

In other words, I recommend it. The thing itself manages despite
humongousness (some 600 pages) to feel good in the hand, also, given the
givens of size, to lie relatively flat on the table. Needless to say, the
illustrations are themselves an education, tho they too can suck you in --
to a process you hadn't intended to do, one you think you'll do better, or
an idea of a place you really want to go. I also liked the history for
each process... coming across not as "lesson," but helpful context.

Another thing that makes this and the first edition so successful is that
(unlike many "experts") James has had the sense to have other experts vet
his chapters.  My experience with these books and articles again and again
(especially tho by no means limited to Photoshop/digital) is that the
expert thinks the info is on the page because it's in his/her head -- but
it isn't. James got backup.

Which is not to say there weren't frustrations:

We expect & get great alt photos, now, by the way including David Hockney
(who knew he was alt?!) and Bea Nettles, list stars like Chris Anderson,
even Post-Factory stars like Carmen Lizardo, among -- I don't have the
count, but hundreds.

The unsung sort-of "tech drawings" were a surprise, however, cute little
drawings to illustrate the set-ups (tho I would NEVER tell Christopher
James that "set-up" as a noun deserves a hyphen, otherwise it tends to
read as verb/adverb).  Speaking as a former illustrator myself, I found
them charming, clear, helpful, not show-offy, but still stylish --
relieving the text info while adding info at a glance, which is to say,
perfect on the page. I was annoyed however (either at myself for missing
it or the designer for hiding, even possibly omitting it) when I couldn't
find an attribution. Who did these little gems?

In sum, the book strikes me as a tool of the trade, in a sense like
dictionary/encyclopedia for a writer. And unlike regular "photography"
books, which are obsolete when the factory materials change or vanish,
these processes are already obsolete, thus timeless. (What a relief !)

So congratulations to James, and an advisory to practitioners, present and
future: I'm not sure what the current price is, but...it's worth it.

Judy

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