Re: Pond-moonrise (was: Re: Steichen image in April's 'Vanity Fair'
Okay, on my page I've replaced the cropped jpeg from the blog with
the uncropped jpeg of the same print, directly from the auction
catalog, and now we have for sure the three prints: (1) the print
that belonged to the Metropolitan and was auctioned for $2.9 million,
gum over platinum; (2) the print that still belongs to the Met,
platinum with applied color, (3) the print that belongs to MOMA,
identified as platinum and ferroprussiate.
http://www.pacifier.com/~kthayer/html/Steichenpond.html
Now, where the heck were we....oh yes, we were discussing whether
Steichen may have used a reversed negative for the blue in the sky
for (3) or even for (1). Geesh,
Katharine
On Mar 17, 2009, at 2:38 PM, Katharine Thayer wrote:
Funny, I should have actually looked at the link from the auction
catalog before I answered your post, except that it mattered less
to me what picture was in the auction catalog as that you were
saying that the image at the bottom of my page was probably the
auctioned print, which I knew absolutely to be incorrect.
But now that I've actually looked at the picture from the auction
catalog, it is so evident that they are different pictures, that
I'm surprised that you thought they might be the same, and the
image at the top of my page is so obviously the same as the image
in the auction catalog, that I'm surprised you thought they were
different. Yes, the blogger, or someone, cropped the uninteresting
foreground off (I actually think it's a better image with that
cropped off) and there's perhaps a slight difference in the
darkness of the two reproductions, but I'm sure it's the same print.
So, that mystery is solved, and for the purpose of our discussion
here, I will replace the cropped image from the blog with the
actual image from the auction catalog, for the short time that this
page will be up. Thanks for alerting me to the existence of this
image; odd that it didn't come up when I googled for images of this
print.
Katharine
On Mar 17, 2009, at 12:46 PM, Jean Daubas wrote:
Katharine,
Thanks for showing us the 3 prints side by side but I'm not sure
of your conclusions.
In fact, the bottom 3rd print that you think is often shown by
error as the "record auction" print is probably really the
auction print.
I give you the link to the February 2006 Sotheby's auction
catalogue where Steichen's "the Pond - Moonlight" was lot # 6,
sold 2,928,000 USD .
http://www.sothebys.com/app/live/lot/LotDetail.jsp?lot_id=4L2KF
the illustration and the measurements clearly show that the 1st
print you put on your page (found on a blog) is not the one which
was sold at Sotheby's : it is far more rectangular than the actual
one. By respect for Edward Steichen's memory, i reall hope no one
dared to crop the original mage ???
You will find on this catalog page a very extensive description of
the print and its sister prints as well as some interesting
indications about Steichen's workflow...
hope it helps to clear the issue,
cheers from France,
Jean
********************************
Jean Daubas, auteur-photographe
16 rue de Bourg-Sec
25440 LIESLE (France)
+33 (0)3 81 57 50 13 et +33 (0) 681 531 289
jean.daubas@wanadoo.fr
****************************************
----- Original Message ----- From: "Katharine Thayer"
<kthayer@pacifier.com>
To: <alt-photo-process-l@usask.ca>
Sent: Tuesday, March 17, 2009 8:04 PM
Subject: Pond-moonrise (was: Re: Steichen image in April's 'Vanity
Fair'
Judy wrote:
However, on the topic of those "Moon Over Mamaroneck" AND the
Flatiron building prints (tho one or more of them could be
Stieglitz & I'm too harried today to check, in fact I'm not
really here at this moment)... I've tried to figure out how the
blue sky was printed in, with no other sky tone, and decided
that there were likely 2 negatives, either one positive & one
negative, of one much contrastier than the other....
Any info?
Judy, I agree with you on both counts: (1) that Steichen's
pictorialist photographs were much more beautiful and
interesting than his "straight" photographs, and (2) that it
looks like the blue tone in the sky, especially in the pond
print where the blue was printed with cyanotype, just about had
to be printed in with a positive "negative" in order to get that
much tone. You've got a good eye.
I did that once, when I wanted a glow of golden light between
the trees in a forest shot; I printed the golden color in with a
reversed negative; there wasn't any way to get that much tone
between the trees using the original negative.
Whether this is what Steichen actually did we can only
speculate, because AFAIK all Steichen's negatives are still in
the possession of, and under the tight control of, Joanna Steichen.
God (in the form of the aforenamed woman herself) may strike me
dead for this, but I've made a page with reproductions of all
three of the prints (I hope) of this image, so we can compare
them and evaluate the validity of your observation. I'm not so
sure it's accurate with the first print, the gum over platinum;
I think maybe this was printed from just the negative. What do
you think? But the bottom one, the cyanotype over platinum, it
seems pretty certain to me that the cyan is printed with a
reversed negative. I don't know if MOMA has analyzed this print
the way the Met has analyzed theirs, but since I don't know
otherwise, I'm taking on faith that they know for sure that this
is cyanotype over platinum and not hand-applied color over
platinum. I'd be willing to bet big bucks that he simply
colored in the moon (notice that he didn't think to color in a
reflection of it in the water).
Look quick, because this page will self-destruct in a few days.
I'm hyperventilating already at the thought that I actually did
this, even though it's all for a good cause.
http://www.pacifier.com/~kthayer/html/Steichenpond.html
As for the Flatiron, that doesn't seem quite as clearcut to me,
and besides there are so many copies of that image (mostly
reproductions from a copyneg made from the original gum print)
that it's almost impossible to say which one we're talking
about. The Met alone has five versions of it, I think, and the
version they show on their website doesn't correspond by date
and description to any of the ones listed in the catalog of the
Stieglitz collection, so it's all pretty confusing. But would
you say it's probably true of this one?
http://www.metmuseum.org/toah/hd/pict/ho_33.43.39.htm
Katharine
http://www.theartwolf.com/imagenestAW/steichen_pond.jpg
the actual $2.9 million print?
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