re: pyro and cyano
On Wed, 8 Apr 2009, Christina Z. Anderson wrote:
My guess is this, though--that since cyanotype is a shorter scale process than silver--6 stops seems about max, and even with these acid methods it ain't gonna get much better--the extended range of the pyro neg is probablyYou turn your back on this list for a microsecond.... and ... life goes on. When I logged on today, this was the first thing I read... There were about another 26,028 list e-mails, so I figured this would get worked over. But it didn't. So now I must ask... Chris, when you say "six stops" --- how many steps on the 21-step is that ? (If I display ignorance, please excuse.... But I live in a 21-step dimension, not a "stop" dimension. In fact when I strayed into the wet darkroom last month on a different mission, I couldn't even make the safelight go on !)
In any event, my rule of thumb for an average neg in simple cyano was 8 or 9 steps, tho I found many ways to modify that. For instance, pages 34 thru 37 of Post-Factory #5 ("Managing the Blues") show differences from light source (sun vs. UV bulbs), paper (Strathmore Artists v. Whatman Fine Print, among others) proportions of parts A & B (as discussed on this list by... Sandy?, Bob Shramm?, others ?) a while back; time on the paper before exposure, delayed development, double coating (according to paper), acid "prebath" ("tends to extend and deepen range very dramatically"), etc. etc. etc.
That issue is dated "August 2000", so (BELIEVE ME !!!) I've forgotten the details (the above is from a quick skim... but I'm not printing cyanotype these days, and need that disk space ...ie, what's left in the brain ... for current endeavors, so am TRYING to stay away from this topic... Tho,
since you insist.... my eye lights on mention that, to my surprise, I discovered that "dry down" in cyano, goes on, not just for one day, but several ... But you knew that ?
There are also 21-steps A through D2 of various ranges & why (p.37). But as in "devil get thee behind me," I change the subject: Another P-F (from around then) shows a "Cyanodyke" -- what the photographer called her vandyke brown prints over cyanotype. The print was very pretty, with nice combined tones (tho in repro b&w only). As I recall, she didn't mention bleaching, tho of course in the other way around -- cyano over vandyke brown -- the silver gets bleached by the potassium ferricyanide in the cyanotype. A short item, but if I locate it, I'll cite.
not suitable for cyanotype as it is for other processes that have longer tonal ranges, unless one were to contract the tonal range of the pyro neg to match cyano--or have subject matter that is tonally contracted anyway.