U of S | Mailing List Archive | alt-photo-process-l | Re: Printing on Al - my experience

Re: Printing on Al - my experience

Importantly, after each coat of ground is applied and hot-air dried, it is UV'd for one minute. This prevents the ground from washing off (it did initially when I failed/forgot to UV the first few coats). The xs KD washes off during development of a gum pass.

I forgot to mention that the ground should be allowed to dry (I let it sit overnight) before applying the size. 


On 9-Jul-09, at 2:28 PM, Keith Gerling wrote:

This is fascinating.  You include Potassium Dichromate in the ground? 

On Thu, Jul 9, 2009 at 4:19 PM, Rajul <eyeear@shaw.ca> wrote:
I was able to get good prints on Al by the method I describe below. Although I continue to fine-tune the procedure, the set of prints I have are happy outcomes - flaws and all. I am thankful that gum arabic served to increase the viscosity sufficiently to keep the sand flour particles in suspension through the coating steps.

   Clean plates w soapy water (tear drop test for cleanliness).
   Clean 3x w 99% isopropyl alcohol.
   Mask borders if desired w painters' tape or tackier tape.

   30 ml of 14 Baume Gum Arabic
   60 ml water
   Add acrylic gesso (I used Stevenson's) to desired opacity
   10 g Sieved Sand Flour
   Pot. Dichromate powder equivalent to the concentration used to get shadows to          print
       (I found 2% more than enough)

   a. Use a dampened, squeezed out roller
   b. Pour an aliquot of the stirred ground on to plate and apply it uniformly w roller
       IMPT: helps to have roller barely charged. Hold it in a sandwich bag while c and
               d (below) are carried out to prevent it from drying
   c. dry coat w hair dryer set on hot
   d. UV for 1 min to harden entire coat
   e. Turn plate 90 degrees and repeat b-d till ground is of desired thickness.

   4% gelatin hardened w HCHO and containing ever clear is applied on 3                            consecutive days (allowing gelatin to dry for 24 hours between each application).

   - Use a 10% amm. dichromate stock for mixing w gum and water color pigment
   - It HELPS to dampen plate w a wetted, hand-wrung towel before brushing on
       emulsion with a dampened, flicked, foam brush to get streak-free spreads.
   - dry coat w an overhead fan.

   - If, during development of an exposed gum layer bubbles form between the
       ground and the Al surface, REJECT the print: the dried bubbles prevent
       close contact between the negative and the printing surface during subsequent
       gum passes. Rate of bubble formation was 1 in 24 plates in my hands.

       Can be done on top of gum. This requires long exposures (~1 hour in the
       shade on a sunny summer day).

       - If there was any balling of the gelatin when the gum emulsion was applied
          (resulting in raised dots that may be colored or white), the cyano emulsion will        clear them. In some prints, I found these dots to be a windfall!

I hope the above persuades more gummists to take on Al. Questions or comments are welcome.