[alt-photo] Re: Re : Re: Re : Re: cyanotype [Triangle]

[Paul Viapiano]

Ding,

Let's see some of your work!

p


----- Original Message ----- 
From: "ding dangdong" <dingedangedonge at yahoo.fr>
To: "The alternative photographic processes mailing list" 
<alt-photo-process-list at lists.altphotolist.org>
Sent: Thursday, June 03, 2010 5:37 AM
Subject: [alt-photo] Re : Re: Re : Re: cyanotype [Triangle]


Yes Loris, I know should have kept following the 'keep everything constant' 
mantra. I think it applies to almost all the processes as well not only for 
cyanotype. But im either such a lazybone or just enjoy and thrive in 
unpredictable results. It for me, and many others im sure, makes this 
creative exercises PLAY.
Its sunny again here. I hope its the same for you and the rest of the good 
people here on the list!
Ding

--- En date de : Jeu 3.6.10, Loris Medici <mail at loris.medici.name> a écrit :

De: Loris Medici <mail at loris.medici.name>
Objet: [alt-photo] Re: Re :  Re: cyanotype [Triangle]
À: "'The alternative photographic processes mailing list'" 
<alt-photo-process-list at lists.altphotolist.org>
Date: Jeudi 3 juin 2010, 14h14

Happy for you Ding!

I work that way since day #1, according to what I had read in Christopher
James' book... After a little experience, I realized it's indeed the best
workflow for cyanotype.

Regards,
Loris.


-----Original Message-----
From: alt-photo-process-list-bounces at lists.altphotolist.org On Behalf Of
ding dangdong
Sent: Thursday, June 03, 2010 2:58 PM
To: The alternative photographic processes mailing list
Subject: [alt-photo] Re : Re: cyanotype [Triangle]

...

It was then that i remembered Loris' advice on printing bone dry that i used
the hair dryer and went a little more careful in keeping things at a
constant. Im working under time (and supplies running short) pressure so you
can imagine how relieved i was when the problem went away. Again, I thank
the list for the rescue and specially Loris for this one!!!

p.s. For European list members The indian paper i found gave me the deepest
blue and very wide tonal range i have experienced with trad cyanotype almost
like what i get with cyanotype 2. And bonus is i dont even have to
acidify!!! code is 'SP3 2W 3. pochete de papier indien blanc. pur chiffon'.
link: http://www.magasinsennelier.com/papier/p_monde.html#pinde

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