[alt-photo] Re: Paractitioners from WWII thru the 1970's

[info at permadocument.be]

Dear Dick,
Belgium, as a small country, did not have many adepts of alternative
processes.
I have been in "alternative" since the late 1960's with a study on a
process derived from orotone. The perfect stability of the results
prompted me recently to reuse the process which I now call "orotype".
Exemples on: http://www.permadocument.be/texte/YRK/RFK/RK/RKE3.html
In the early 1970's I aexperimented with different image supports and
processes derived from etching techniques. These experiments have
later been a good support for my teaching programms in photographic
conservation-restoration.
With best regards

Roger Kockaerts
7 rue des Balkans
B-1180 Brussesls, Belgium.
www.permadocument.be


Quoting "Richsul Sullivan" <richsul at earthlink.net>:

> I can use some help. I am preparing a lecture on the history of alt process
> since WWII.
>
> I would like to know who was doing handmade and historical process
> photography after WWII up to 1980. I am particularly interested in folks
> working in the 1970's in what I call the early renaissance period of alt
> photography. Links to their work is helpful as well as any information as to
> who was actually doing the printing, say in the case of Irving Penn, who I
> believed did not print most of his own work. Hopefully the folks would have
> had some exhibitions of their works.
>
> As an example, Steve Szabo made a mark in the 70's doing platinum prints and
> Laura Gilpin continued making platinum prints post WWII until her death.
> Karl Struss had work printed by Herb Quick and I believe they were made in
> the 1970's.
>
> I am not interested in silver gelatin even though some now consider it to be
> alternative.
>
> Thanks!
>
> --Dick Sullivan
>
> _______________________________________________
> Alt-photo-process-list | http://altphotolist.org/listinfo
>



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