Re: Razor blade development of dry gum

Peter charles fredrick (pete@fotem.demon.co.uk)
Sat, 1 Jun 96 14:27:52 +1000

>I once overprinted and overpigmented a gum print. (Did I say once?) I saw it
>laying about one day and decided to see what would happen if I scraped it
>with a razor blade. I used a single edged blade and dragged it firmly across
>the print with the sharp edge pointing away from the direction of the drag.
>It very nicely takes the top surface from the gum, more from the soft areas,
>less from the hard. The print developed up rather nicely, and I still have
>it. The blade edges did leave some trails which I believe could be
>eliminated by rounding the edges off on a whetstone.
>

Dear Richard

Your interesting use of an razor blade reminded me of the abrasion tone
process perfected by that underrated photographic genius William Mortenson,
I remember trying out this technique in the middle 1950's, the process
took a long time to work and as a photograph was used instead of your gum
print one mistake and it was all over.

I often use a razor blade with my Fotempera process, as this process
employs a laminated properlyne plastic substrate, you can scrub away to
your hearts content. ,
In fact I also use, scalpels ,abrasive scrubbing powder, stiff bristle
brushes, brillo pads. and ink rubbers.you can work on the print in a
subtractive scumbling manner , in a wet or dry sate . As you can imagine
this technique of addition and subtraction allows for a tremendous amount
of corrective control, in fact one seldom loses a print you just keep on
working till it comes right, great stuff no waste.

pete

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