Direct Carbon Gelatine-what next?

Grafist@aol.com
Sun, 10 Nov 1996 02:43:38 -0500

Dave, You wrote
<You^re original post did^nt confuse me since I just happened to read about
the process in Luis^s book.> and < what will follow after the
print?............and if we feel its great, what next ?>
And if anyone feels it is NOT great,
...what will happen then? Will they return the print?

I do not intend to use, and cannot use the list for financial
transactions, but some people have, already, kindly offered to recompense me
for postage from U.K. Thanks. Is that alright, Steve? I am on this list
because I accepted a FREE disk from service providers AOL and it has cost me
more than just the FREE part of the system to make it work. We all spend
what we have to whilst following our interests. I will describe some details
of the process, with pleasure, which I have mentioned before (which are,
specifically, NOT in Luis^s books) ,which books, by the way are not FREE,
One cannot only deal with items in photo alt which cost nothing. <
What^s next?> Somone has already asked me about doing A BOOK ( DTP) and I
have guessed it will take about six months (if I am not dead by then) and, if
there seems to be enough interest to make it worthwhile. Hold
on..............what I am doing, now is selling,in a sense, right? I will
only make transactions off list, but if people want me to talk about DCG as I
find it "on list" I cannot do that as a discussion with appearing to be
selling, can I?
I do not think this was the reason for the SMALL matter of the flaming
etc.,but I have decided against the idea of wasting space here to analyse
anything but things photographic. There must be a "list" somwhere for
SALESMANSHIP. Wait till people receive the prints and then we can take it
one step at a time O.K ?. All the while I spend on this keyboard is
increasing the waiting time for the mail out. What a fascinating game this
is? In the meantime there is the APR(Alternative Photo Review) available from
Keith Dugdale whos email appears a ,little way back in connection with the
availability of Argyrotype Kits. This publication could prove to be, like
this list, a very viable facility for future generations of artists if it is
allowed to develop in a natural way. I HATE PREACHING so I^m going to zipp
and get back to the real sticky world of gelatine and carbon, for a while.
See you all later FTGRFST John.