In view of all of the comments on pyro and T-max I think I should clarify
my original post by adding details I omitted last time.
First, I was using Burki's pyro formula for T-Max right out of Steve's
"Cookbook." Second, I was tray developing with almost constant agitation.
Third, I stand by my original statement. The quality of the negatives
I got with 4 x 5 sheet film (T-Max 400) was outstanding. That is why
I tried it with T-Max 400 roll film and, as I said, it did not work.
I noticed that someone mentioned using a pyro formula for T-Max 400 in
35 mm and 120. Could that person please repeat that please? Was it in the
"Darkroom Cookbook" or the "Pyro Book?"
While I don't care much for T-Max 100, I think T-Max 400 is a great film.
Of course you can't slop around with it like you could with Tri-X, that is,
you have to have an accurate thermometer and be able to read it as well as
being able to read a timer. In return you get the long tonal range of Tri-x
and grain equivalent to or better than Panatomic -X.
Finally, has anyone used a pyro developer with HP5? If so, what happened?
Best wishes to all,
Bob Schramm