Mark
In a message dated 4/22/98 3:32:08 AM, KINGNAPOLEONPHOTO@compuserve.com
writes:
>Message text written by Jan Kapoor
>
>>This cyanotype formula produces very
>
>rich blues and long scale continuous tone images that to me are far more
>
>expressive than traditional cyanotype. And the negatives, while not being
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>quite
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>equal to real film negatives, have very fine detail and work well with
>
>cyanotype. <
>
>
>
>Jan
>
>
>
>have you tried giving the original cyanotype a chance ?
>
>
>
>It will produce rich blues and a full range of tones so easily that I find
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>it difficult to understand how some people fail to do so.Just expose until
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>all the high middle and highlightr tones have reversed and everything else
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>is dark blue except the parts of the inmage that are intended to print
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>white which should remain green.
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>
>
>As to negatives, as you suggest, Epson coated paper negarives produce
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>results that are almost indistinguishable from prints made using film.
>
>
>
>terry king
>
>
>
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>Date: Wed, 22 Apr 1998 04:11:44 -0400
>From: TERRY KING <KINGNAPOLEONPHOTO@compuserve.com>
>Subject: Cyanotype and the computer
>Sender: TERRY KING <KINGNAPOLEONPHOTO@compuserve.com>
>To: Jan Kapoor <jkapoor@concentric.net>
>Cc: Ender100 <Ender100@aol.com>,
> "[unknown]" <alt-photo-process-l@skyway.usask.ca>,
> "[unknown]" <dalrymple@truelink.net>
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