Matt Baker (Matthew.H.Baker@drexel.edu)
Mon, 02 Aug 1999 16:57:05 -0400 (EDT)
>Date: Mon, 02 Aug 1999 10:01:28 -0700
>From: Lorne Resnick <Lorne@lorneresnick.com>
>Subject: Re: Gold Toning
>To: alt-photo-process-l@sask.usask.ca
>Reply-to: alt-photo-process-l@sask.usask.ca
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>
>Hey David,
>
>Thanks for the response.
>
>Lorne
>
>----- Original Message -----
>From: David <adin@frontier.net>
>To: <alt-photo-process-l@sask.usask.ca>
>Sent: Saturday, July 31, 1999 7:16 PM
>Subject: Re: Gold Toning
>
>
>> Lorne,
>> My experience w/ gold toned silver prints:
>> Selenium tones magenta, gold tones blue.
>>
>> These "impressions" are just that, no visible difference unless two prints
>> (same image) compared side by side.
>>
>> David
>>
>> ----------
>> From: Lorne Resnick <Lorne@lorneresnick.com>
>> To: alt-photo-process-l@usask.ca
>> Subject: Gold Toning
>> Date: Saturday, July 31, 1999 5:46 PM
>>
>> Hi,
>>
>> I was wondering if anyone would be able to help me regarding Gold Chloride
>> Toning (or Gold Toning - is there a difference between the two?). I will
>be
>> doing some fiber based silver gelatin prints for a gallery show and wanted
>> to give gold toning a try.
>>
>> Any recommendations with regards to materials/procedure and/or reference
>> guides would be very much appreciated.
>>
>> Thanks,
>>
>> Lorne Resnick
>> Travel, Fine Art, Stock & Commercial
>> Photography
>> e-mail: lorne@lorneresnick.com
>> www.lorneresnick.com
>>
>
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