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Re: esoteric question
I can't answer your specific question; but do question the immutability of flow
moving from left to right. For example, newspapers always put their most
important (for readership draw puposes) on the upper right of the front page, as
that's where people look first at a news stand. Perhaps this is because they
first read the name of the paper, which throws them onto the right top, really
don't know, just a guess. Perhaps art flow is dependent on the location of the label?
Pam
"Christina Z. Anderson" wrote:
>
> I figured since we were discussing other esoteric questions such as size and
> photography/art theory that I could run this by you: everyone I'm sure is
> familiar with the Golden Mean, Golden Section, roughly translated into
> photography as the rule of thirds. Is, in the intersection of these
> dividing lines and the resultant 4 points, the top right or the top left
> point the strongest point in a composition? One source I have says the top
> right is because flow moves left to right, specifically bottom left to top
> right and that you should put a stopper (e.g. burning in) at the top right
> corner of a photo. Hirsch says it is the top left but gives no reason. I
> know there is a mathematical reason here for one or the other but it is
> eluding me. I know I know, don't tell me to throw out all compositional
> rules of photography...heck, I gotta give a lecture on it in two weeks so I
> want to be 'in the know' before I go with my gut and say the top right and
> the students say, "But the book says..."
> Chris Anderson
--
Pamela G. Niedermayer
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