Re: To preserve a daguerreotype. Questions

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From: Robert W. Schramm (schrammrus@hotmail.com)
Date: 04/21/02-04:56:38 PM Z


William,

I do my initial polish with a wheel. Even though it is a special jeweler's
wheel with special bearings and other things to reduce vibration to almost
nothing, I still must do the final buffing by hand with two buffs. I cannot
explain in words how to polish a dag plate. One must be shown by an
experienced daguerreotypist. A poorly polished plate not only gives a poor
image but is not as sensitive as a properly polished one. I have read
somewhere that the early daguerreotypists had machine powered leather buffs.
Perhaps something could be devised but I do not know how well they would
work. During my training I was taught how and where to place my hands during
buffing and how to get an even polish. Also how to know when the plate is
correctly polished. It struck me as being similar to mirror grinding for
astronomical telescope mirror when the final stage is also done by hand.

Bob Schramm

>From: William Linne <photoassistant@hotmail.com>
>Reply-To: alt-photo-process-l@sask.usask.ca
>To: alt-photo-process-l@sask.usask.ca
>Subject: Re: To preserve a daguerreotype. Questions
>Date: Sun, 21 Apr 2002 09:55:54 -0700
>
>Why in god's name is it so important to polish these things by hand? I have
>always wondered why a good machine shop couldn't buff these things
>mechanically much better and quicker than anyone's hand. I have been
>considering daguerrotyping, but so much of the modern methodology seems to
>be based more on nostalgia than efficacy. I'd love to hear some worker's
>thoughts.
>
>William
> ----- Original Message -----
> From: Robert W. Schramm
> To: alt-photo-process-l@sask.usask.ca
> Sent: Saturday, April 20, 2002 11:18 AM
> Subject: Re: To preserve a daguerreotype. Questions
>
>
> Manuel,
>
> I have never seen brass mats. However, I can think of no reason why you
>could not make a mat out of 2 ply non-buffered, acid free, 100% rag mat
>board.
>
> I mount my own contemporary dags is passe-partout mounts made of this
>material.
>
> Of course, making sure you have a good seal is all important
>
> Bob Schramm
>
>
>
>
>
>
> Check out my web page at:
> http://www.SchrammStudio.com
> also look at:
> http://www.wlsc.wvnet.edu/www/pubrel/photo.html
> >From: Manuel Estébanez
> >Reply-To: alt-photo-process-l@sask.usask.ca
> >To: alt-photo-process-l@sask.usask.ca
> >Subject: To preserve a daguerreotype. Questions
> >Date: Thu, 18 Apr 2002 00:24:01 +0200
> >
> >Where to find, on-line, brass mat to preserver Daguerreotype images? .
> >To buy traditional reproduction cases are very expensive. Any
>alternative presentation techniques?. Any homemade framing and mounting
>recomendations?. Thanks.
> >
> >Best Regards,
> >Manuel Estebanez
> >Spain
> >
> >PD: I' am actually going to learn the process as well (Becquerel
>process).
>
>
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Check out my web page at:

  http://www.SchrammStudio.com

also look at:

  http://www.wlsc.wvnet.edu/www/pubrel/photo.html

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