From: Judy Seigel (jseigel@panix.com)
Date: 01/31/02-01:19:45 AM Z
Well, it's not really *commercial*... but just "announcement" seemed too
plain.
I took Post-Factory #7 to printer today, expect it next week, when I will
be making a bulk mailing to London for transshipment to Europe. This is a
royal pain, since it probably has to go by boat, but last year US Post
Office discontinued printed matter airmail, and raised all other rates.
It now costs $4.80 air & $3.80 surface to mail ONE ISSUE. I mention this,
not to satisfy folks who've been telling me for years to publish on the
web (nope, not this millennium either), but because renewals from Europe &
England continue to straggle in -- and once that shipment has gone out...
it's a problem.
Which is to say, anyone reading these lines who's been MEANING to renew
(or subscribe)... write me offlist.
Table of contents this issue:
Interview with Christopher James about "The Book of Alternative
Photographic Processes," plus excerpts from same;
At Camp Tintype with John Coffer, the National Tintyper Laureate;
Oleobrom Process in the 21st Century (bromoil with rollers);
The Power of Gold (toning) ;
Plating out Silver Gelatin;
WTC graphic evidence;
The 20 by 24 Experience;
A Long Slow Process (to gum);
Sculptor Smashes Angel;
"Photographic Possibilities" (review);
On Toning Cyanotype (some surprises);
Low-tech test for your UV System;
Photographing an Aeroplane (1910);
My own essay, "The Wise and Foolish Versions of Everything, Including the
Gender of Angels and the History of Photography";
plus Sources & Services (4 pages, type smaller than ever), and some short
items not in table of contents.
best,
Judy
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| Judy Seigel, Editor >
| World Journal of Post-Factory Photography > "HOW-TO and WHY"
| info@post-factory.org >
| <http://rmp.opusis.com/postfactory/postfactory.html>
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