Hello Ray,
Nice to hear from you!
The humidity problem on the POP was of metallic
looking "spiders" or mottled areas throughout the paper prior to exposing-
they never entirely disappeared when processed.
I found that the humidity levels are 50-60% in my
small darkroom that has an effect on the paper unless refrigerated (in a
frost free unit).
So; I have bought a small unit just for the paper as the paper is very
expensive and hard to come by...
I have never seen gold colours on the POP unless
the toner is exhausted and the colour turns to an orange-yellow colour.
What process are you interested in now?
PS I now have a new darkroom- much larger than my old one...
Always, Susan
www.susanhuber.com
----- Original Message -----
From: "Bill William" <iodideshi@yahoo.co.jp>
To: <alt-photo-process-l@sask.usask.ca>
Sent: Thursday, August 05, 2004 5:22 AM
Subject: Humidity and Sensitivity...
> --- Ender100@aol.com $B$+$i$N%a%C%;!<%8!'(B
> > For a nice selection of Japanese papers, check out
> > at
> > http://www.aikosart.com/
> >
> > Mark Nelson
> > www.precisiondigitalnegatives.com
> >
> >
> > In a message dated 8/4/04 10:16:40 AM,
> > cacadanebay@pacbell.net writes:
> >
> >
> > > Anyone on the list have any experience using
> > Japanese
> > > papers for alternative processes? I am interested
> > in
> > > using it for gum prints.
> > >
> >
> >
> >
> >
> >
> >
> >
> >
>
> __________________________________________________
> GANBARE! NIPPON!
> Yahoo! JAPAN JOC OFFICIAL INTERNET PORTAL SITE
> http://mail.ganbare-nippon.yahoo.co.jp/
>
>
Received on Mon Aug 9 12:11:51 2004
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