Réf. : Re: tempera printing peter fredrick

 
 
I would also like a copy, if you please!
 
Thank you.

Philippe Berger

-------Message original-------
 
De : alt-photo-process-l@sask.usask.ca
Date : Thursday, December 16, 2004 16:35:59
A : alt-photo-process-l@sask.usask.ca
Sujet : Re: tempera printing peter fredrick
 
I would also like a copy, if you please!
 
Thank you.
 
Don Feinberg
ducque@mindspring.com
----- Original Message -----
From: HNMM CLEARY
To: alt-photo-process-l@sask.usask.ca
Sent: Thursday, December 16, 2004 10:20 AM
Subject: Re: tempera printing peter fredrick

Thanks for the request from you and others for a copy of my article. I shall
send a copy to those people on the list who requested one to their personal
e-mail addresses. If I send it to the list, there would be much weeping and
gnashing of teeth and tearing out of hair if that much info went out over
the list, especially for people like me on simple modems. I am not a
computer boffin so I shall seek advice on how to send a copy of the same
file to the different e-mail addresses. I shall bring all messages from
everybody to Peter tomorrow. Again, be patient. Hellena
----- Original Message -----
From: Tim O'Neill
To: alt-photo-process-l@sask.usask.ca
Sent: Wednesday, December 15, 2004 1:24 AM
Subject: Re: tempera printing peter fredrick

Oh thanks H,
 
I have tried to access the Journal from here before with no success. I
would love to have an email if you get the time. I hope Peter is doing well

 
t
----- Original Message -----
From: HNMM CLEARY
To: alt-photo-process-l@sask.usask.ca
Sent: Tuesday, December 14, 2004 9:50 AM
Subject: Re: tempera printing peter fredrick

As far as I know , he was still working on his book. I don't know how much
he had put together until the time of his illness.. I shall print out your
e-mails and bring them with me on Friday. If it is any help I wrote a four
page article on the Temperaprint process for the British Journal of
Photography in the issue dated 19.06.2002. I don't know how you access the
index from the states but I have a copy that I could e-mail if you are
interested. The only major change in my working methods has been the switch
from paper negatives made translucent with mineral oil to diginegs which
are easier to use and make but I must say I miss the smell of oil from the
negatives. Using oiled negs and an egg tempera process made for an
interesting olfactory experience. Hellena
----- Original Message -----
From: Tim O'Neill
To: alt-photo-process-l@sask.usask.ca
Sent: Monday, December 13, 2004 10:34 PM
Subject: Re: tempera printing peter fredrick

Hellena,
 
Does Peter have a book for purchase? In the info that is on alt photo his
text suggests a advanced section of his compendium. I have not had success
tracking that down. Any info on that? Likewise when you see him please
forward my email. I would be willing to correspond even with snail mail
should that be the only thing available to him for a bit.
 
Tim
----- Original Message -----
From: HNMM CLEARY
To: alt-photo-process-l@sask.usask.ca
Sent: Monday, December 13, 2004 11:27 AM
Subject: Re: tempera printing peter fredrick

I am not very good technically in my work so when you talk about working out
curves, I must admit that I am pretty inexperienced in that respect. I just
go for something visually acceptable as there are so many vagaries in the
process, it is difficult to be extremely precise. Exposure times for me
very much depend on the uv light source. I use a machine developed for
making printing circuit board in the electronic industry which combines
vacuum and timer together and is pretty accurate. I also do not work any
bigger than A3. I have in the past done Temperaprint on polished marble and
welsh slate. However I only did a single coat because of the impossibility
of getting correct registration with two coats. I used some pretty high
density foam from a furniture making place and one of those vacuum bags that
you use a vacuum cleaner to remove the air and create the contact between
the printer and the substrata. It worked quite well on the marble as an
almost photographic surface and differently on the slate because of the
surface irregularities.
----- Original Message -----
From: Tim O'Neill
To: alt-photo-process-l@sask.usask.ca
Sent: Monday, December 13, 2004 4:43 AM
Subject: Re: tempera printing peter fredrick

Hellena,
 
Good to hear that someone else exists out there that has some experience. I
am starting form scratch so have not yet gotten a gallery quality print. I
am still working out curves and exposure times. I am extremely interested
in chatting with someone who has first hand experience with the process on
ceramic or stone. That is what I am pursuing next as soon as I get a touch
better results with basic printing. Any tips form you expereinced will be
greatly appreciated
 
Tim
----- Original Message -----
From: HNMM CLEARY
To: alt-photo-process-l@sask.usask.ca
Sent: Sunday, December 12, 2004 12:12 PM
Subject: Re: tempera printing peter fredrick

Yes, we are still out there. There are a few probationers of Temperaprint
still going. While we are not as good as Peter, we are still functioning and
making prints. Most of us are in the U.K. but Barbara Maloney is an American
currently residing in Germany. She has an article in the November issue of
www.alternativephotographycom. All discussion welcome . I am going to see
Peter on Friday and can pass on any questions and hopefully he will get
access to the web soon. Hellena
----- Original Message -----
From: Tim O'Neill
To: alt-photo-process-l@sask.usask.ca
Sent: Sunday, December 12, 2004 1:59 PM
Subject: Re: tempera printing peter fredrick

Kate,
 
Do you have contact info for Peter? I am curious whether his school will
carry on once he is on the mend.
----- Original Message -----
From: Kate Mahoney
To: alt-photo-process-l@sask.usask.ca
Sent: Wednesday, December 08, 2004 5:07 PM
Subject: Re: tempera printing

Hi Tim, Peter Frederick has been very ill, and is in the process of
recuperating.

I've just started using a modified version of his process with some success.
The advantage is that it's way quicker to produce a print than gum - the
disadvantage is (for me) that it produces a much different image quality.
I'm just getting my head around the differences but I certainly find it
simple and effective after gum, but then again it's probably because I have
already done gum!!!

Have a look at the archives - there was some discussion a couple of weeks
ago and there are certainly a few much more knowledgeable people on this
list than me!

Cheers
Kate

----- Original Message -----
From: "Tim O'Neill" <rivervalleyimages@msn.com>
To: <alt-photo-process-l@sask.usask.ca>
Sent: Thursday, December 09, 2004 10:55 AM
Subject: tempera printing

> Any one have contact info for Peter Fredrick? Or maybe any others out
there
> using his process I can compare some tests and notes with?
>
> Tim O'Neill
>
>
>