RE: tempera printing peter fredrick

Hi, Helena, can you add my name to the list, also could you give my
regards to Peter, I am having fun with my version of his process!
 
Regards
Kate Mahoney

-----Original Message-----
From: HNMM CLEARY [mailto:HNMM@hcleary.freeserve.co.uk]
Sent: Thursday, 16 December 2004 11:20 p.m.
To: alt-photo-process-l@sask.usask.ca
Subject: Re: tempera printing peter fredrick

Thanks for the request from you and others for a copy of my article. I
shall send a copy to those people on the list who requested one to their
personal e-mail addresses. If I send it to the list, there would be much
weeping and gnashing of teeth and tearing out of hair if that much info
went out over the list, especially for people like me on simple modems.
I am not a computer boffin so I shall seek advice on how to send a copy
of the same file to the different e-mail addresses. I shall bring all
messages from everybody to Peter tomorrow. Again, be patient. Hellena

----- Original Message -----
From: HYPERLINK "mailto:rivervalleyimages@msn.com"Tim O'Neill
To: HYPERLINK
"mailto:alt-photo-process-l@sask.usask.ca"alt-photo-process-l@sask.usask
.ca
Sent: Wednesday, December 15, 2004 1:24 AM
Subject: Re: tempera printing peter fredrick

Oh thanks H,
 
I have tried to access the Journal from here before with no success. I
would love to have an email if you get the time. I hope Peter is doing
well.
 
t

----- Original Message -----
From: HYPERLINK "mailto:HNMM@hcleary.freeserve.co.uk"HNMM CLEARY
To: HYPERLINK
"mailto:alt-photo-process-l@sask.usask.ca"alt-photo-process-l@sask.usask
.ca
Sent: Tuesday, December 14, 2004 9:50 AM
Subject: Re: tempera printing peter fredrick

As far as I know , he was still working on his book. I don't know how
much he had put together until the time of his illness.. I shall print
out your e-mails and bring them with me on Friday. If it is any help I
wrote a four page article on the Temperaprint process for the British
Journal of Photography in the issue dated 19.06.2002. I don't know how
you access the index from the states but I have a copy that I could
e-mail if you are interested. The only major change in my working
methods has been the switch from paper negatives made translucent with
mineral oil to diginegs which are easier to use and make but I must say
I miss the smell of oil from the negatives. Using oiled negs and an egg
tempera process made for an interesting olfactory experience. Hellena

----- Original Message -----
From: HYPERLINK "mailto:rivervalleyimages@msn.com"Tim O'Neill
To: HYPERLINK
"mailto:alt-photo-process-l@sask.usask.ca"alt-photo-process-l@sask.usask
.ca
Sent: Monday, December 13, 2004 10:34 PM
Subject: Re: tempera printing peter fredrick

Hellena,
 
Does Peter have a book for purchase? In the info that is on alt photo
his text suggests a advanced section of his compendium. I have not had
success tracking that down. Any info on that? Likewise when you see
him please forward my email. I would be willing to correspond even with
snail mail should that be the only thing available to him for a bit.
 
Tim

----- Original Message -----
From: HYPERLINK "mailto:HNMM@hcleary.freeserve.co.uk"HNMM CLEARY
To: HYPERLINK
"mailto:alt-photo-process-l@sask.usask.ca"alt-photo-process-l@sask.usask
.ca
Sent: Monday, December 13, 2004 11:27 AM
Subject: Re: tempera printing peter fredrick

I am not very good technically in my work so when you talk about working
out curves, I must admit that I am pretty inexperienced in that respect.
I just go for something visually acceptable as there are so many
vagaries in the process, it is difficult to be extremely precise.
Exposure times for me very much depend on the uv light source. I use a
machine developed for making printing circuit board in the electronic
industry which combines vacuum and timer together and is pretty
accurate. I also do not work any bigger than A3. I have in the past done
Temperaprint on polished marble and welsh slate. However I only did a
single coat because of the impossibility of getting correct registration
with two coats. I used some pretty high density foam from a furniture
making place and one of those vacuum bags that you use a vacuum cleaner
to remove the air and create the contact between the printer and the
substrata. It worked quite well on the marble as an almost photographic
surface and differently on the slate because of the surface
irregularities.

----- Original Message -----
From: HYPERLINK "mailto:rivervalleyimages@msn.com"Tim O'Neill
To: HYPERLINK
"mailto:alt-photo-process-l@sask.usask.ca"alt-photo-process-l@sask.usask
.ca
Sent: Monday, December 13, 2004 4:43 AM
Subject: Re: tempera printing peter fredrick

Hellena,
 
Good to hear that someone else exists out there that has some
experience. I am starting form scratch so have not yet gotten a gallery
quality print. I am still working out curves and exposure times. I am
extremely interested in chatting with someone who has first hand
experience with the process on ceramic or stone. That is what I am
pursuing next as soon as I get a touch better results with basic
printing. Any tips form you expereinced will be greatly appreciated
 
Tim

----- Original Message -----
From: HYPERLINK "mailto:HNMM@hcleary.freeserve.co.uk"HNMM CLEARY
To: HYPERLINK
"mailto:alt-photo-process-l@sask.usask.ca"alt-photo-process-l@sask.usask
.ca
Sent: Sunday, December 12, 2004 12:12 PM
Subject: Re: tempera printing peter fredrick

Yes, we are still out there. There are a few probationers of
Temperaprint still going. While we are not as good as Peter, we are
still functioning and making prints. Most of us are in the U.K. but
Barbara Maloney is an American currently residing in Germany. She has an
article in the November issue of HYPERLINK
"http://www.alternativephotography.com"www.alternativephotographycom.
All discussion welcome . I am going to see Peter on Friday and can pass
on any questions and hopefully he will get access to the web soon.
Hellena

----- Original Message -----
From: HYPERLINK "mailto:rivervalleyimages@msn.com"Tim O'Neill
To: HYPERLINK
"mailto:alt-photo-process-l@sask.usask.ca"alt-photo-process-l@sask.usask
.ca
Sent: Sunday, December 12, 2004 1:59 PM
Subject: Re: tempera printing peter fredrick

Kate,
 
Do you have contact info for Peter? I am curious whether his school
will carry on once he is on the mend.

----- Original Message -----
From: HYPERLINK "mailto:kateb@paradise.net.nz"Kate Mahoney
To: HYPERLINK
"mailto:alt-photo-process-l@sask.usask.ca"alt-photo-process-l@sask.usask
.ca
Sent: Wednesday, December 08, 2004 5:07 PM
Subject: Re: tempera printing

Hi Tim, Peter Frederick has been very ill, and is in the process of
recuperating.

I've just started using a modified version of his process with some
success.
The advantage is that it's way quicker to produce a print than gum - the
disadvantage is (for me) that it produces a much different image
quality.
I'm just getting my head around the differences but I certainly find it
simple and effective after gum, but then again it's probably because I
have
already done gum!!!

Have a look at the archives - there was some discussion a couple of
weeks
ago and there are certainly a few much more knowledgeable people on this
list than me!

Cheers
Kate

----- Original Message -----
From: "Tim O'Neill" <HYPERLINK
"mailto:rivervalleyimages@msn.com"rivervalleyimages@msn.com>
To: <HYPERLINK
"mailto:alt-photo-process-l@sask.usask.ca"alt-photo-process-l@sask.usask
.ca>
Sent: Thursday, December 09, 2004 10:55 AM
Subject: tempera printing

> Any one have contact info for Peter Fredrick? Or maybe any others out
there
> using his process I can compare some tests and notes with?
>
> Tim O'Neill
>
>
>

--
No virus found in this incoming message.
Checked by AVG Anti-Virus.
Version: 7.0.296 / Virus Database: 265.5.4 - Release Date: 15/12/2004
-- 
No virus found in this outgoing message.
Checked by AVG Anti-Virus.
Version: 7.0.296 / Virus Database: 265.5.4 - Release Date: 15/12/2004