Kate,
I am more than willing to spend the time. Over 20years of printing and working
on PT/PD, that is not the issue. I just want to be heading in the right
direction. I just don't want to take a glass bottomed boat into a corel reef
at real low tide. With some basic peramiters at hand the work is hard but it
is obtainable. I am do a magic pill kind of person. As Mark has stated the
people from the Imagesetters may be a good starting point. I will led you all
know what I find out.
Jan Pietrzak
>
> From: Kate Mahoney <kateb@paradise.net.nz>
> Date: 2004/02/08 Sun PM 07:48:24 GMT
> To: alt-photo-process-l@sask.usask.ca
> Subject: Re: UV exposure light boxes/Solar plate
>
> I have read it, but not done the processes due to time constraints. I saw
photo-etching work by Sylvie Glattaeur (and met Sylvie) in Melbourne last year
which was impressive. I'd love to get into it but am totally financially wiped
out by 5 years back at school!
> I have a friend who is printmaker working primarily in etching who swears by
it. The printmaking dept at my school uses it when doing photo-plates but the
students get very variable results - I think as in all these processes you
only get out what you put in!
>
> cheers
> Kate
> ----- Original Message -----
> From: Ender100@aol.com
> To: alt-photo-process-l@sask.usask.ca
> Sent: Sunday, February 08, 2004 9:33 PM
> Subject: Re: UV exposure light boxes/Solar plate
>
>
> Thanks Kate,
>
> I found that book and the website with a google.
>
> Looks good?have you read it?
>
> Mark
> In a message dated 2/8/04 1:20:12 AM, kateb@paradise.net.nz writes:
>
>
>
>
> The best book I know of is "printmaking in the Sun" which gives a
detailed description of several different uses for polymer plates plus
techniques. I'll try to hunt up the reference but a search on Amazon should
bring it up.
>
> Kate
>
>
>
>
>
>
Received on Sun Feb 8 14:08:50 2004
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