I see, but I was actually referring to the following
page:
http://users.skynet.be/philippe.berger/cyanodemo.html
You say ammonia + tannic acid... Then I guess the
"mauve" example is toned and/or bleached shorter than
the "rougêatre" example... Is it so?
I also did the ammonia - tannic acid toning (I toned
fully; bleached around 3-4 mins and toned for at least
10 mins, see the tech. details in the following
pages). Here is my result:
Original print:
http://www.photo.net/photodb/photo?photo_id=1927359&size=lg
The same print after toning:
http://www.photo.net/photodb/photo?photo_id=2241691&size=lg
I did the scans very carefully; I tried to make them
present the prints as much as possible.
As you can see my toning experiment went quite
differently (probably due to the different paper I had
used - what do you think?). Your examples are much
more lilac or reddish than what I got. I also would
like to make these reddish - lilac cyanotypes (BTW, is
there any method to make a cyanotype resembling a
chrysotype? These are lovely but way beyond my
limits...) Any suggestions? Would like to hear tips
for black, red, mauve/lilac cyanotypes (please note
that longevity is important issue to me)...
TIA to all.
Regards,
Loris.
--- philippe berger <mineurdecharbon@skynet.be> wrote:
> Hi Loris,
>
> Thank you
>
> The mauve image is a cyanotype bleached with the
> ammoniac and toned with the
> acid tannic
> The reddisch image is not a cyanotype, it is a
> "Color Process" (it is a
> gomme aux poudres)
>
http://users.skynet.be/philippe.berger/colordemo.html
>
> Regards,
>
> Philippe
> http://users.skynet.be/philippe.berger
Received on Tue Mar 30 11:38:53 2004
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