Judy Seigel wrote:
>
I remember a series of prints
> done in hot humid NYC summer when I was resisting the air conditioner had
> such an exquisite golden (dichromate) tone over all I tried repeatedly to
> match it with a yellow over-layer. Didn't work.
Not being able to see your memory of what this looked like I'm at a
disadvantage, but here's a suggestion for whatever it's worth: you might
consider quinacridone gold (PO 49). It hasn't been manufacturered as a
pigment since 2001, but Daniel Smith is still producing quinacridone
gold paint. It's transparent but a nice rich color, which makes it a
good pigment for an overlay color.
Katharine
Received on Thu Aug 11 10:41:22 2005
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