The brand is Feit Electric ((Pico Rivers, CA) and the ones I bought are 13 watts; they are about 1/2 inch longer than a standard 60 watt tungsten light bulb, but they have a coiled tube coming off a cylindrical portion that is about 1 inch in length with all this on a typical screw-in bulb base. They are advertised as a 60 watt replacement party light! The company is based in CA, but the bulbs are made in China.
Cheers!
Judy
-- Judy Rowe Taylor Mukilteo, WA Art is a voice of the heart, a song of the soul. www.enduringibis.com jude.taylor@comcast.net or judyrowetaylor@enduringibis.com > What's the wattage on those black lights? Are they bulbs? Got a brand > name? > > Anyone with experience with these bulbs or the gro-light bulbs? > > Steve Shapiro > ----- Original Message ----- > From: "John Cremati" <johnjohnc@core.com> > To: <alt-photo-process-l@sask.usask.ca> > Sent: Thursday, June 23, 2005 9:59 AM > Subject: Re: Success! screw-in fluro BLB UV lightbox > > > > This would be a HOT HOT set up for you Kodak Contact Printer.........These > > screw in black light Florescent bulbs could easily be adapted to your > > light > > box giving off a lot of UV light!!!!!!!!!!jc > > > > > > ----- Original Message ----- > > From: <jude.taylor@comcast.net> > > To: <alt-photo-process-l@skyway.usask.ca> > > Sent: Thursday, June 23, 2005 11:49 AM > > Subject: Success! screw-in fluro BLB UV lightbox > > > > > >> Greetings! > >> > >> I have declared my lightbox that has six of the screw-in fluorescent > >> black > > light bulbs as the UV source a success, as I just pulled my first > > cyanotype > > test print last night. I undercooked the print a bit (or maybe not enough > > sensitizer, or ...), but I was able to determine from this first attempt > > that the box does evenly radiate over an 8.5 x 11 inch surface. As I do > > more tests and get the timing/distance and other variables down I will > > scan > > and post the results on my web site. There were a lot of firsts with this > > print. Here's a little more about this lightbox adventure...humor is > > intended :-) in the telling of this tale. > >> > >> I gave myself a D in carpentry, but later upgraded the rating to a C > >> since > > the box did come out level, it just looks a bit funny! I gave myself an R > > for resourcefulness in parts and materials used and have now added to my > > notes an A for functionality! Scale is 1(low) - 4 (high): A=4; B=3; C=2; > > D=1; F = no such rating as 0 (failure) because something is always learned > > :-) ; and R = outfield! > >> > >> Funny it may be, but it was reasonably economical to make. The three > > expensive items were the 6 bulbs at $12 each; 2 lighting fixture strips > > with > > 3 ceramic sockets at $16 each; a 4 inch fan from Radio Shack cost $25; > > additional wood and hardware added to what I had on hand cost about $25 - > > $30. I described my design in an earlier email - two rows of the bulbs > > spaced 6 inches from center to center of each bulb with 3 inches to the > > sides of the box also (Inner dimensions of the box are 12 inches wide x 18 > > inches long - a perfect size for Photoformulary's beautifully made 8x10 > > contact printing frame.). I attached each end of the fixtures with a > > screw > > securely to a 0.5 x 2 x 12 that also serves as part of the box frame. > > Since > > the fixtures were designed to attach flat against a wall, the short wires > > were now sticking up from the top of my lightbox. I attached them to the > > corresponding wires of a small-appliance cord, which plugs into an > > appliance > > strip along with the fan cord > >> ; a flip of the switch starts both lights and fan at the same time. I > > filled the space between the metal frames of the light fixtures, and on > > each > > side, with strips of board, then made a box top to cover (and protect) the > > wiring and make the top light-tight. > >> > >> Enough said about the construction...except one more item...the nice > >> thing > > about using the screw-in bulbs is that I was able to test the wiring with > > inexpensive, everyday, 40-watt, household light bulbs and not risk the > > expensive BLBs! > >> > >> The test strip negative I am using is also a first - my first digineg; > >> no, > > actually it is my second. As I attempted to faithfully follow Dan > > Burkholder's directions in the "Inkjet Negative Companion" I forgot to > > change one printer setting and my first digineg came off my Epson 2200 > > looking like someone's pinstriped suit! I corrected that little mistake > > and > > my second digineg looks pretty nice. > >> > >> Next step of course was sensitizing the paper; two trials with coffee and > > a glass rod worked perfectly, nicely even color with no puddles. Then the > > first attempt with the new cyanotype solution (I did let it ripen for two > > days.) puddled and crystallized over most of the paper as I left it to air > > dry. Second try with less solution and a hair dryer did well. I am using > > some BFK Rives that I have on hand for these initial trials, but plan > > additional tests with Fabriano Artistico since most of you have indicated > > you like this paper for cyanotypes, though the BFK I have seems O.K. > >> > >> Then came the exposure test! As stated initially, I didn't expose long > > enough (11 minutes at 4 inches from the UV source, though it may just be > > too > > little sensitizer) to get a nice dense dark-dark blue where my positive > > was > > black, but my test indicates to me that the light is falling evenly across > > the surface of the contact printing frame, which was what I wanted to > > determine with this first print anyway. For my test negative I made (in > > Photoshop) as strip of contiguous rectangles from 100% to 5 % (paper is > > 0%) > > at 5% increments and placed 4 of these (alternating end to end) > > side-by-side > > along with Dan's density "step-wedge" on the side. I have placed the > > positive as a jpeg on my web site so you can actually see what I am > > attempting to describe. That url is: > >> > >> http://www.enduringibis.com/altphoto/tests/alt_photo_tests.html > >> > >> The printing frame did its job superbly, though I suspect folks in the > > next county heard the hardware snap when I secured the back in > > place...Smiles - a comment, not a complaint! The tiny little numbers (6 > > pt > > if I remember correctly) are nice and sharp! On the final print the > > cyanotype blues from my strips matched (visual check) the same percentages > > on Dan's strip - and they did also via electronic check of the negative in > > Photoshop. I don't have a densitometer. > >> > >> Now to fine tune "my act" by manipulating some other variables (paper, > > amount of sensitizer, exposure time, negative density and color vs > > grayscale) and, not the least, more practice, more tests, more interesting > > images! > >> > >> FYI: For drying the finished print I used a sheet of plastic needlepoint > > screen; these are inexpensive, readily available at fabric and craft > > stores, > > come in a variety of sizes and are stiff, sturdy, and smooth. My previous > > experience had shown that papers like Arches cover and BFK Rives dry flat > > on > > these plastic screens. > >> > >> Thanks for reading to the end! > >> > >> JT > >> Judy Rowe Taylor > >> Mukilteo, WA > >> Art is a voice of the heart, a song of the soul. > >> www.enduringibis.com > >> jude.taylor@comcast.net or judyrowetaylor@enduringibis.com > >> > >> > >> > >> _____________________________________________________ > >> This message scanned for viruses by CoreComm > >> > > > > > > > >Received on Sat Jun 25 13:52:41 2005
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