RE: Cyanotype toning and lead acetate.

From: joachim oppenheimer ^lt;joachim2@optonline.net>
Date: 04/21/06-05:36:19 AM Z
Message-id: <CNEOKJEEHICEOLEFMDIFMELACCAA.joachim2@optonline.net>

My experience with toning cyanotype prints is that the alterations are
evanescent and not "permanent. If I am wrong, please someone tell me and I
will try to fix me and not the processes. Thanks. Joachim

-----Original Message-----
From: Robert W. Schramm [mailto:schrammrus@hotmail.com]
Sent: Thursday, April 20, 2006 11:13 PM
To: alt-photo-process-l@sask.usask.ca
Subject: Cyanotype toning and lead acetate.

To quote my own photographic cookbook: Cyanotype prints may be toned to a
deep ultramarine blue by immursing them in a 5% solution of lead acetate. (5
gm lead acetate in 100 cc water) Wear gloves and/or use tongs. Lead acetate
can be absorbed through your skin. Like all the heavy metals it is not good
for you, but it would take a lot more thabn a grain to kill you immediatly.
Wash the print afterward.

There is another process for toning cyanotypes that gives purple, brown and
blue tones. It was discovered by Judy and I have toned a lot of prints with
it.

Maybe if Judy is in a good mood she will post the process on the list. In my
cookbook I refer to it as Seigel Toning. I got the process from Judy. I have
never seen it published anywhere.

Bob Schramm
Check out my web page at:

  http://www.SchrammStudio.com
Received on Fri Apr 21 08:31:37 2006

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