Katherine,
Rather than stating a fact, I was asking a question.
I would agree, with the extreme situation you are referring to below, this
would probably not be possible. I do think with a less contrasty mixture,
however, you should be able to shift the tones between DMax & DMin to just about
whatever "usefull" values you would want. By that I am excluding some weird,
extreme curve that might cause posterization or other problems.
The clarification I was actually looking for, however, was in the other post
you made and I responded to that. It had to do with the affect of pigment
load on contrast.
Thanks for your response,
Mark
In a message dated 5/4/06 12:05:47 PM, kthayer@pacifier.com writes:
> Sorry, I seem to have misread this sentence the first time. I
> thought you were talking about the scale between DMax and DMin. What
> you're saying here, that one should be able to express all the values
> between DMax and *paper white*, shows even less understanding of gum
> than I was supposing. Let's take a pigment mix that is so pigmented
> (much more pigmented than Chris's 3 g/100 ml gum) that it can print
> only one or two very dark values, regardless of what the negative
> looks like; the rest of the image will be paper white (assuming that
> the mix isn't so overpigmented as to cause pigment stain). It's not
> so outlandish to imagine this kind of pigment mix; I used to print
> this very high-contrast way early in my gum printing career, as do
> many people before they understand that too much pigment gets you too
> much contrast. (Someone here referred to this kind of print as "soot
> and chalk" which is a great description). Surely you don't imagine
> that by changing the curve, you can make this pigment mix print 256
> values between black and white?
> Katharine
>
>
Best Wishes,
Mark Nelson
Precision Digital Negatives--The Book
PDNPrint Forum at Yahoo Groups
www.MarkINelsonPhoto.com
Received on 05/04/06-11:19:32 AM Z
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