Re: bromoil/carbro papers

Luis Nadeau (nadeaul@nbnet.nb.ca)
Thu, 16 Mar 1995 21:01:54 +0300

>I have had excellent results in carbro with Kodak Polycontrast RC 111,
>with the N surface. I am sure the paper is supercoated but the layer
>seems to be so thin that it barely interferes with the chemical reaction
>of the carbro process. Since the requiremnts for bromoil and carbro are
>very similar this paper might work well with the former, though I guess
>most don't want plastic bromoils! But if I were going to work bromoil I
>would be interested in the transfer process anyway.
>
>Sandy King

The reason for this is that these RC papers are still designed to work with
stabilization processors where the image has to be fully developed in about
3 seconds or so. Many people have reported good carbro results with the N
surface RC papers over the years. Just make sure you don't use a hardener
with the fix and perhaps Sandy can say a word or two about the type of
developer he uses, as the regular ones tend to harden the gelatin somewhat.

As for oil or bromoil, the transfer technique is definitely the way to go
indeed. The image loses this unpleasant (to me) shinyness, and less oil
ends up on the final print. Oil in oil based prints is undesirable for
conservation reasons. There is currently a discussion in progress on this
very topic in the Prints-L list.

Luis Nadeau