Re: Carbon Printing

s carl king (sanking@hubcap.clemson.edu)
Fri, 10 Nov 1995 13:57:27 -0500 (EST)

>
> Only under certain circumstances, with (1) the right pigment and (2) the
> right paper base as a pigment support, (3) the right gelatin, and (4) the
> right environment. If you have hit such a set of circumstances you are
> lucky. I have had scores if not hundreds of letters here where it did not
> work for many people.
>
> In *many* cases it is difficult to manufacture a fog-free pigment paper
> with a good shelf-life and this is one of several reasons why carbon is not
> more popular than say, platinum.
>
All the factors you mention certainly play a role in the fog level
of carbon tissue. Water quality is also of the highest importance.
I use distilled water for making tissue and in the sensitizer.
Another important factor is humidity.Coated tissue that dries in
an area of high humidity will have a high fog level. This is also
true at the stage of sensitizing. It certainly takes more than luck
to make excellent carbon tissue, but there is no mystery to the
process.

> Normal? This is the problem with the Internet. I don't know whether you
> live across the street from me or on the dark side of the moon... Normal
> can mean +40C or -40C! Coated tissues in *my* lab (North Eastern part of
> North America), if not in "my book" (not necessarily the one on paper;-))
> requires a few minutes to get the gelatin to solidify and then, once
> suspended with a gentle flow or air on the back of the 140 gram photo-grade
> Schoeller paper I use, it dries quickly, especially in the winter months
>
Well, I don't live at either of those places.
Normal for me is what you describe in your own book as the ideal
conditions for carbon printing, relative humidity of 50-60% and
temperatures at or below 70 degrees F. In these conditions my tissue
takes at least 12-18 hours to dry, even using a fan to force air
circulation. For my coating paper I use a 100 lb drawing paper and
apply 75ml of gelatin solution to 26X34cm sheets. I doubt we have
ever experienced 30% humidity in South Carolina and can not imagine
what that would be like with this process. Nevertheless, in the
conditions I describe carbon works perfectly for me. The only
problem I have ever had was at a workshop I taught a few years
back in the Appalachian mountains in the summer. The ambient
temperature was at about 78-80 degrees F. and the relative
humidity very high, perhaps over 75%. It was very difficult to
get everything to work, but eventually all of the students were
able to make a few prints.

Sandy King

>