U of S | Mailing List Archive | alt-photo-process-l | RE: Mike Ware's POP Pt./Pd. Pt

RE: Mike Ware's POP Pt./Pd. Pt



I agree that my phantasm works better conceptually than physically in my
photographs. I explained a chelating action something like putting the metal
in a kind of plastic bag, which makes it easier to throw away. And there
might be more in the bags than we know. But, EDTA can also affect the paper
fibres. But still, the damage appears on the paper surface and only on
pieces which are exposed to the air. I have a small fragment of a photograph
on my desk (a mouth) and a small picture that are occasionally moved and
touched. Maybe even the normal room humidity (60-70%) may facilitate a
prolonged physical action of EDTA. I am curious.

And a question for Eric: Have you seen that your prints were affected by
EDTA?

Regards,

Witho

-----Oorspronkelijk bericht-----
Van: Loris Medici [mailto:mail@loris.medici.name] 
Verzonden: donderdag 9 november 2006 22:02
Aan: alt-photo-process-l@usask.ca
Onderwerp: RE: Mike Ware's POP Pt./Pd. Pt

Hi Witho. Maybe the problem you mention is related to bad clearing /  
washing (=remaining sensitizer / clearing agent in the paper) - but I  
don't think the phenomenon is *exactly* caused by the mechanism you  
describe.

My understanding of chelating agent is something that makes a soluble  
compound with another compound that is not soluble itself. Since there  
will be no water in the paper (except the humidity absorbed from the  
environment - a minute amnt. when compared to wet paper), I don't see  
any reason for the remaining chelating agent making loose the metal  
*trapped* inside the paper's fibers, causing them fall(?) - if I'm  
getting you correctly. 1) How will the chelating agent contact with  
the metal particles in a dry environment? 2) And how will it break the  
physical bonds between the metal particles and the paper's fibers?

Of course I acknowledge that the remaining chemicals may form new  
compounds with the image-making metal particles; rendering them  
transparent/colorless, therefore useless for image-making purposes...  
But since we're talking about intert noble metals, I don't see how  
that could happen!? Quite confusing isn't it? Since you're observing  
image loss, for sure something is happening - but what?

Anyway, your "wash good" suggestion is a very sound one - anyone  
dealing with precious metals for doing images should care to follow a  
good procedure; it won't make sense to be casual with these processes  
/ doing so would take much from their value and from their purpose.

Best regards,
Loris.

----- Message from info@witho.nl ---------
     Date: Thu, 09 Nov 2006 16:50:11 +0100
     From: Witho Worms <info@witho.nl>
Reply-To: alt-photo-process-l@usask.ca
  Subject: RE: Mike Ware's POP Pt./Pd. Pt
       To: alt-photo-process-l@usask.ca


> Sandy,
>
>
>
> I have no hard (or scientific evidence) but I have seen that fragment of
> proofs of my prints or misprints, which I kept over years, start to show
> defects and damage. So I related these problems to bad clearing. EDTA is a
> chelating agent. I have read that it more or less encapsulates metal
> molecules and makes them better soluble in water. Even people are treated
> with it intravenously to wash out metals from their body. (EDTA might
> probably the only chemical in alt-photography which benefits to our
health).
>
> So, my reasoning is simple. Over time encapsulated metal particles may
come
> loose from the paper fibres. I do recall that Tyranno King mentioned
> something about EDTA to some months ago.
>
>
>
> Regards,
>
>
>
> Witho
>
>
>
>
>
>
>
>
>
>   _____
>
> Van: Sandy King [mailto:sanking@clemson.edu]
> Verzonden: donderdag 9 november 2006 16:15
> Aan: alt-photo-process-l@usask.ca
> Onderwerp: RE: Mike Ware's POP Pt./Pd. Pt
>
>
>
> Witho,
>
>
>
> Any idea as to the cause of this?
>
>
>
> Sandy
>
>
>
>
>
>
>
>
>
>
>
> At 9:22 AM +0100 11/9/06, Witho Worms wrote:
>
> Hallo Sandy,
>
> Be sure to do a very good final wash when using EDTA for clearing. If the
> wash is not complete you will face that palladium will come off the paper
> during time (one or two years).
>
> Regards,
>
> Witho
>
> -----Oorspronkelijk bericht-----
> Van: Sandy King [mailto:sanking@clemson.edu]
> Verzonden: donderdag 9 november 2006 7:41
> Aan: alt-photo-process-l@usask.ca
> Onderwerp: RE: Mike Ware's POP Pt./Pd. Pt
>
> Hi Loris,
>
> Will get the lithium chloride. Your advice has
> been outstanding so far, and I am very pleased
> with the results.
>
> Just wondering, have you done any work with AFO
> and kallitype?  The clearing of prints in
> Disodium EDTA made with FAO and Ammonium
> Tetrachloropalladate (II) is so quick and easy I
> am wondering if the procedure can be adapted to
> silver nitrate.
>
> Best,
>
> Sandy
>
>
>
>
>
> At 8:15 AM +0200 11/9/06, Loris Medici wrote:
>> Good news Sandy. I'm glad that you like the alternative sensitizer. Do
>> yourself a favor and also purchase some (cheap, B&S has it) Lithium
>> Chloride - to make some Li2PdCl4. (Don't skip this - it's quite a good
>> hint IMO.)
>>
>> My pleasure. Best regards,
>> Loris.
>>
>> -----Original Message-----
>> From: Sandy King [mailto:sanking@clemson.edu]
>> Sent: 09 KasĪm 2006 Pers¸embe 03:22
>> To: alt-photo-process-l@usask.ca
>> Subject: Mike Ware's POP Pt./Pd. Pt
>>
>>
>> I finally received some ferric ammonium oxalate today and was able to do
>> a few tests with Mike Ware's POP Pt./Pd. process. The results were very
>> encouraging. The Dmax I was able to get with the sensitizer of  FAO +
>> Ammonium Tetrachloropalladate (II), on the first try,  was definitely
>> better than I have been able to get with palladium printing using FO in
>> my working conditions.  I am working in a room with about 60% RH, which
>> gives a sepia color print with straight palladium. I am also exposing by
>> time, not visual inspection.
>>
>> I would also add that working with the FAO is  a real delight compared
>> to FO. It mixes up quickly and completely in about 5-10 minutes, and
>> results are very low fog. I am using Mike Ware's recommended
>> post-exposure processing, which you can find oin his web site
>> (http://www.mikeware.co.uk/mikeware/Platino-Palladiotype.html), but I
>> have also found that I can get contrast control with the Disodium EDTA
>> with dichroamte. Mike does not specifically recommend this approach, as
>> I recall, but I find that it gives a lot of flexibility to the process..
>>
>> In any event, I thank Loris Medici for putting me on the potential
>> advantages of FAO. Lots of potential here I believe.
>>
>> Sandy King
>
>
>
>


----- End message from info@witho.nl -----