Re: Gum Preservatives
Hi Judy, I have no experience in killing my own wild boar nor grinding my own corn, but my experience with the commercially made gum solution has been awful. One batch may be OK, then gallons afterward simply did not dissolve, with or without dichromate and exposure. I think they were a bit too GungHo in putting in the poison. After donating to printmaking folks all the unused gallons of gum, I tried mixing my own and never went back. That's when I discovered that smelly gum worked almost better. So the trick is to put in just enough preservative to prevent spoilage. Same as why I use 1/5 of dichromate compared to everyone else. But we won't go there. Mark is in Toronto teaching a workshop with Sandy. Otherwise I fully expected some wise speculatiions on Smellographs, Odortype... Yes, Judy, wasn't it just yesterday that we had the exchanges? Have these kids today even heard the term "gungho" before? Gosh. Sam On Dec 6, 2006, at 11:41 PM, Judy Seigel wrote: On Wed, 6 Dec 2006, sam wang wrote:There are many preservatives that can be used. Judy suggested formaldehyde. Thymol works well enough for me except when I put in too little - I wanted to put in a minimum amount. The smelly gum printed fine, maybe even better than fresh. I hope you didn't throw out your spoiled gum.Maybe there's something about mixing your own gum arabic like killing your own wild boar or grinding your own corn, but I like to get a gallon of lithographers gum & then another gallon from the same lot if I like it... It works fine (as far as I know) and the poison is already in it.
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