Re: My first platinum-palladium over gold leaf prints
- To: alt-photo-process-l@usask.ca
- Subject: Re: My first platinum-palladium over gold leaf prints
- From: Keith Gerling <keith.gerling@gmail.com>
- Date: Thu, 14 Feb 2008 10:07:56 -0600
- Comments: "alt-photo-process mailing list"
- Dkim-signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com;s=gamma;h=domainkey-signature:received:received:message-id:date:from:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:content-disposition:references;bh=F2vyngp/MMEfEkWAnEQg9IEiqrtXEFrqoi4uRapsUiE=;b=A6gg0KUZfvuhbAxY1hGrxi/wl0mT3wz2xAkkXt2eG4teZ6E7KJVd+ZNUoxahH7nzJN+qKz992BuS/A7Xx0orZBhQs7t1DARpSJicf6/X+oMmSf+IN9RCKjcxJylYsUCZ6H1eJ8n0cgQJA9ls03ePlOwyM2otJeVmXQ+/5J4Zsxo=
- Domainkey-signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma;h=message-id:date:from:to:subject:in-reply-to:mime-version:content-type:content-transfer-encoding:content-disposition:references;b=xSMBHpXfHYO7sKP/kCCHlsOyNuTMjWFfyr9pW1outqZdo1ZkUc5lMp5k4JAu6NDQAuPONpw4I8Xecg/k7gwPGYkh7xg1azWDhE4/8SDl8WYjM0YL8r8z9oBJIXY8En/lNIrJOm33RQyGqFeNCngUt/lSSr1IId/e8+zbmVr/Qjg=
- In-reply-to: <2F457B8F-BB40-4F1F-874A-7C53D9236297@aol.com>
- List-id: alt-photo-process mailing list <alt-photo-process-l@sask.usask.ca>
- References: <C3D3BCCF.C157%henry.rattle@ntlworld.com><2F457B8F-BB40-4F1F-874A-7C53D9236297@aol.com>
- Reply-to: alt-photo-process-l@usask.ca
Dan, these are great. I've been wanting to incorporate gold leaf into
my work for some time now, and it seems as if you hit on a great
solution. So can I just steal this idea and run with it, or should I
call it a Danotype?
Is there any reason why the leaf has to me permanently affixed to the
velum, or can I just swap out the leaf and use it for another print?
Thanks
Keith
On Sat, Feb 9, 2008 at 8:48 PM, Dan Burkholder <fdanb@aol.com> wrote:
>
> This evening I finally photographed the first group of platinum/
> palladium over gold leaf prints. I've printed more than the nine on
> this site but these are the most successful to date. After doing a lot
> of inkjet printing over the past couple years, it felt very refreshing
> to be involved with handmade processes once again. In some way, this
> work is almost a rebellion to the direction most photography is
> taking. The prints are small (4"x6" up to 5.5"x8.5"), unlike the trend
> to giantism that the medium is experiencing. I also wanted to make
> prints with a look and feel unlike anything we can produce with an
> inkjet printer.
>
> I started testing different vellums and sizes in December and am
> starting to get a feel for what works and what doesn't. The harder
> issue (for me at least) is learning what type of images work well in
> this combination and which don't. It's like all of photography; the
> "why's" are always more difficult than the "how's."
>
> The images themselves are a mix of old and new, taking some years-old
> images that are favorites along with new work from our new home in
> upstate New York and exploring the print impact with the gold. The
> "Flatiron in Spring, New York" image is my first effort at bimetal
> gilding. The Flatiron is in palladium leaf and the rest of the print
> is in 24K gold. I'm eager to do more of this Au/Pd leafing. I gotta
> admit that there's something fun about making prints in which the
> final image is comprised of three precious metals, all of which are
> completely insensitive to light. ;^)
>
> I will be out of pocket for a couple of days and won't be able to
> reply very promptly to questions or comments.
>
> Thanks for looking here:
>
> www.DanBurkholder.com/gold
>
> Dan
>
> info@DanBurkholder.com
> www.DanBurkholder.com
>
>