U of S | Mailing List Archive | alt-photo-process-l | Re: Gum on Masa

Re: Gum on Masa



Keith,

You have demonstrated how sensitive and responsive Masa is, and it befits the subject eminently. Thanks for sharing.

I work with ~8 x 10's (my trays and sink are a limitation), but I have been able to do anywhere from 5 - 6 gum passes with or without Cyano, slipping in a formalinized gelatin sizing as and when needed. The paper has held beautifully, probably due to
the dimensions of my prints, and mounting Masa on a transparent support.

I am readying a series of prints for the Art Ark Gallery (<www.theartark.com>) for an April showing, the subject being a homestead on a local tobacco farm (a Kelowna landmark) that has had 5 generations of a pioneer family witness its gracious aging.

Rajul





On 17-Mar-08, at 6:30 AM, Keith Gerling wrote:

I've been making gum photos on Masa paper..   Here is a link to some
current work featuring dancers:

http://www.gumphoto.com/masa/index.htm

Yes, too many - I'm still editing.  As is usually the case with
on-line gums, only a resemblance seems to exist between the displayed
image and the actual print.  Here is a close-up to demonstrate
detail::

http://www.gumphoto.com/masa/detail2.jpg

As I have only used alternative substrates for the last 5 years
(mostly aluminum and gessoed tar paper) it took me awhile to get the
hang of printing on paper, especially a paper as thin as Masa,  I had
to re-learn the entire gumprinting process and to make the learning
curve especially tricky I also am using inkjet negatives for the first
time in nearly nine years.  The Masa I purchase comes in sheets of
21x31, large enough for a decent sized print and cut in half provides
almost the same perspective, so there is little waste (which isn't an
issue anyway because it is so cheap).  These are all gum over
cyanotype and are 12x18 inches on half sheets.  They were printed with
baby-oiled paper negatives.  Some observations:

Masa is very thin, so on the positive side, it is 1) inexpensive, 2)
very easy to register multiple layers, 3) very fast to dry.

On the negative side, it is very flimsy and thus difficult to handle
when wet.  Also, and this is the biggest disadvantage I can see when
compared to other papers,  it gets very disagreeable when one attempts
more than three layers of gum.  I can do it, but it is certainly a
challenge   I'm not a huge fan of using cyanotype as my blue layer,
but my usually practice of adding layer upon layer to build up density
is not an option.  However, it takes a cyano layer very nicely, so
rich blacks can be had fairly easily.

I'm working now with full sized sheets and the results are very
promising.  The biggest problem is keeping a larger oiled negative
registered while trying to place it under a piece of glass with a
sheet of mylar between the negative and the print.  Much easier with a
smaller print where I can use a contact printing frame.

Keith







  • References:
    • Gum on Masa
      • From: Keith Gerling <keith.gerling@gmail.com>