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Re: Fish Eyes again
 
 Mark, the clerk could be a doctorate candidate, or it could have been me, a long time ago.... Working at a saturday job in a supermarket, with a locked liquer store next doors. And the saturday people always fought over who could help the customers who wanted alcohol... And the few times I won the race to the kay, me as a 15 year old supermarket 'empty-bottles-return' boy was already glad if could find the product they named..... I think I was more embarrassed in SELLING the stuff, then ANY customer would have been BUYING it. Now to think of it... Selling alcohol as a 15 year old.... I probably just confessed a crime here... Hope the statute of limitations has passed ;-)
 DJ ps: Christina, although we dont sell Everclear in the Netherlands (as far as I know of), you shouldd have bought it at 'my place years ago. I probably would have given you entire cases with bottles, looking even more embarrassed than you LOL
 pps: Can't imagine no-one has even thougth of changing the subject.... I found dozens of new fish-eye emails... Hoping for LOTS of answers.... Sigh..... ;-) 2008/9/17 Loris Medici <mail@loris.medici.name> "PV19 -> strong paint" is a side note, irrelevant to the main subjectfisheyes... I use very little of this when compared to the other colors
 I'm currently testing/trying for tricolor (BTW, it occured to me that it's
 stronger than Ivory black). So far it gives me nice reds (when combined
 with Schmincke Yellow Raw Ochre 656 - a mixture of PY42 and PY43) and
 violets (when combined with PB29 Ultramarine Blue). But I can't get a
 neutral black with this combination (but brown). What other pigment would
 you suggest for being able to get neutral black in tricolor printing?
 (Tricolor -> Cyan from Red, Magenta from Green and Yellow from Blue.)
 
 Thanks,
 Loris.
 
 
 16 Eylül 2008, Salı, 7:12 pm tarihinde, Katharine Thayer yazmış:
 
 >> On Sep 15, 2008, at 11:33 PM, Loris Medici wrote:>
 >> I have the same problem with the same pigment, Schmincke Ruby Red 351
 >> PV19. BTW, it's a very very strong paint... Do you think that adding
 >> alcohol to the coating mix can help?
 >
 >
 > Sorry, this doesn't make sense to me, Loris.  In the pigment lexicon
 > I understand, strength of pigment refers to its mixing power (or
 > layering power, in our case);   a  strong pigment needs to be used
 > sparingly in order to keep from overwhelming the other colors that it
 > is mixed or layered with.  In other words, with a strong pigment,
 > you need to use much less pigment to get the same color intensity
 > that takes more pigment to achieve with a weaker pigment.  (I'm not
 > the first person to notice this; I recently came across a paper where
 > Demachy was making the same point.)
 >
 > So if the PV 19 is a  strong pigment (in my mind, PV 19 is, yes,
 > fairly strong as magentas go, but not as strong as lamp black or
 > pthalo)  then it stands to reason that you should be using less of it
 > to balance the other colors than you might use of a different pigment
 > (PR 209, for example, requires a much larger amount of pigment to
 > achieve the same effect) and I would think that it would be a mix
 > that had more pigment in it that would require smoothing out with the
 > Everclear, not one with less pigment.   Unless the purpose of the
 > Everclear is to smooth out a watery mix rather than a more heavily-
 > pigmented one.  Or unless you're meaning something entirely different
 > by the term.  glad you're back, by the way.
 > Katharine
 >
 
 
 
 Follow-Ups:
Everclear
From: Loris Medici <mail@loris.medici.name>
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