Re: paris
Hello Loris
there are some good place to buy pigment in Paris such as AMB or Laverdure
For paper my own favorite is an online order store called Gersteckaer.
They have a great choice of product (paper , pigment and watercolor) they
have the best price for paper.
I will be in Paris next week and I will check some other store .
I'll keep you inform
At 21:03 21/08/2009, you wrote:
Hi Loris,
The best gouache paint i use until now was from Lefranc&Bourgeois Linel; i
found an adress in Paris :
<http://www.trucsetdeco.com/boutique-decoration/magasin-peinture-paris.html>http://www.trucsetdeco.com/boutique-decoration/magasin-peinture-paris.html
There is another one, but the french are a bit hesitating to show their
teeth in the web (no offend , i tried to order several times stuff from
France , filled in the whole bloody document with date of birth, credit
card, name of wife, and the nationality of my granddad, and in the
end, just the message : 'delivering only in France'; but there is a big
plus : i have to go once a year to Paris; with this fabulous TGV. )
all the best,
Henk
On 21 aug 2009, at 19:20, Loris Medici wrote:
Hi Henk,
My theory would be: IME, first layers tend to adhere/cling to the
support better than later ones, so, when you have put M in the first
place, you got a stronger Magenta color because more magenta remained
on the paper. (If you buy that! That's all that comes into my mind...)
BTW, you have a nice Yellow there; doesn't haze the image. Which Yellow
is that?
Regards,
Loris.
2009/8/21 Katharine Thayer
<<mailto:kthayer@pacifier.com>kthayer@pacifier.com>:
Henk, this is interesting, though puzzling to me. Yes, I've printed in
different orders and the order of printing hasn't made any difference in the
print itself, as long as I've used transparent pigments for each of the
colors, so I can't explain this. (And the effect of opaque pigments
manifests, IME, as a graininess, coarseness or cloudiness in the image
rather than a difference in the color balance per se, so I don't think
opacity v transparency is an issue here). Thanks for sharing, I'll have to
think about this. What are your pigments?
Nice print, by the way.
katharine
On Aug 21, 2009, at 8:09 AM, henk thijs wrote:
Dear List,
I made two tri-color gum prints from the same negs, with the same pigments
and the same paper, just a different order:
Normally i start with Yellow, Magenta and Cyan, and just repeat the
process if i feel to do so.
When making this print, the Magenta didn't work for me, so i started with
Magenta, followed by Cyan and Yellow.
I was astonished with the big difference.
The Y,M,C :
<http://www.thijs-foto.com/newDESIGN/PARISA.jpg>http://www.thijs-foto.com/newDESIGN/PARISA.jpg
The M,C,Y :
<http://www.thijs-foto.com/newDESIGN/PARIS.jpg>http://www.thijs-foto.com/newDESIGN/PARIS.jpg
Even several extra Magenta layers did not changed the result comparable to
the M,C,Y one.
Just curious if the list had some experience in changing just the order of
working.
Hope list is still alive ,
cheers,
Henk
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www.thijs-foto.com
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www.thijs-foto.com
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@+
Chris Nze
JL
http://flickr.com/photos/chris_nze/
http://negatifnumerique.blogspot.com/
http://thelivredunegnum.blogspot.com/
http://procedealt.blogspot.com/
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