[alt-photo] Re: "Alternative" printing?
Romeo
jamesromeo at mac.com
Sun Feb 14 06:22:52 GMT 2010
You are right I think you put it in words
better than I
Sent from my iPod
On Feb 13, 2010, at 11:35 PM, Diana Bloomfield <dhbloomfield at bellsouth.net
> wrote:
> Hi James,
>
> I agree that one can make beautiful digital prints. I've seen
> plenty. I love the digital prints I've made (and would never
> willingly return to the old-fashioned darkroom to make a straight
> b&w or color print). But, to my mind, there's a big difference
> between the making of a digital print and what we think of as an alt
> process print. For me, at least, the 19th c process printing I've
> done is more difficult, more demanding, more labor-intensive and
> more time-consuming than any digital print I've ever made. Of
> course, I also find alt process printing more satisfying to do, and
> I also like the fact that each is a one-of-a-kind print. In the
> end, though, it's the image itself that really counts, I think--
> regardless of how someone decided to print it. And let's face it--
> nobody really cares how pain-stakingly long it took any of us to
> make a print. As long as you like the process and the end result,
> I'm not sure how much anybody cares about how you actually got there..
>
> As stated before, though, digital certainly seems to be a widely
> accepted art form these days. So, for those who are dedicated to
> making digital prints, why not embrace that technology-- rather than
> calling themselves "alternative process" printers? I find that not
> only just a little bizarre, I also find it misleading and downright
> dishonest-- and, of course, annoying as all get-out. But maybe
> that's just me. :)
>
> Diana
>
>
> On Feb 13, 2010, at 10:42 PM, Romeo wrote
>
>> I have ben a photographer for over 55
>> years
>> I have worked alternative for my own
>> work a long time
>> I feel it is working mixing chem. making your paper not buy a box
>> of paper
>> All this put down on digital is wrong
>> I was a great silver printer
>> I feel a digital I make now is as good
>> as a silver that I made than
>> No it as great as a palladim or gum I
>> made
>> I do not have a darkroom now
>> Am at a age where working my apt now or log around lorge format eq
>> I sit at a desk and make lovely prints
>> with contral that is more than I would
>> Dream of
>> Sent from my i
>>
>> On Feb 13, 2010, at 8:29 PM, Paul Viapiano <viapiano at pacbell.net>
>> wrote:
>>
>>> Ugh...slippery slope here.
>>>
>>> Unfortunately for digital printers the terms digital and inkjet
>>> take away the mystique of imagemaking, so they're always on the
>>> lookout for some term that camouflages the technique, at least
>>> that's my view. But "alternative", no way, not ever, at any time.
>>>
>>> I think "pigment print" might be a good neutral moniker, but you
>>> have to be in the know to realize it means inkjet.
>>>
>>> But when all is said and done, the image is really the thing
>>> regardless of process. I'm just hopelessly biased towards prints
>>> hand-crafted with blood, sweat and tears that have been printed by
>>> the photographer him/herself.
>>>
>>> There's a lot more I'd like to say but will save it for another
>>> time.
>>>
>>> Paul
>>>
>>>
>>> ----- Original Message ----- From: "Diana Bloomfield" <dhbloomfield at bellsouth.net
>>> >
>>> To: "The alternative photographic processes mailing list" <alt-photo-process-list at lists.altphotolist.org
>>> >
>>> Sent: Saturday, February 13, 2010 11:47 AM
>>> Subject: [alt-photo] "Alternative" printing?
>>>
>>>
>>>> Hi all,
>>>>
>>>> Maybe this has been discussed before, but I wonder if anyone else
>>>> has noticed this recent trend (at least it seems recent to me).
>>>> I've noticed-- especially lately-- that I seem to either hear
>>>> about or see photographers' work (and websites), where the
>>>> photographers refer to themselves as "alternative process"
>>>> printers. I always take a second look, because I'm interested in
>>>> what they're doing. Then when I take a closer look, I see that
>>>> nine times out of ten, all their printing is actually digital.
>>>> No hand-applied processes, no chemicals, no laborious
>>>> painstaking work involved (except, of course, learning
>>>> Photoshop)-- nothing except a seemingly thorough knowledge of
>>>> which Photoshop buttons to push to simulate what might pass for
>>>> the look of an "alternative process" print.
>>>>
>>>> So have I just been out of it, or is this a new thing--
>>>> photographers who use Photoshop extensively, calling themselves
>>>> "alternative process" printers? I'm really curious about this
>>>> and, I admit, also find it somewhat annoying. (Okay. I find it
>>>> really annoying, on many levels.) It also seems a bit like false
>>>> advertising to me, but I'm not buying their work, so I guess I
>>>> shouldn't really care. At this point, though, I can't see
>>>> anything about digital as being "alternative." So . . . is
>>>> it just me? When did this start?
>>>>
>>>> Diana
>>>> _______________________________________________
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>>>
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