[alt-photo] Re: Cliche Verre exhibit in San Francisco
Dave S
fotodave at dsoemarko.us
Fri Apr 15 19:47:58 GMT 2011
Suzanne,
They look very nice! And congratulations!
I still remember many of the images you showed in the traveling portfolio.
A couple that I particularly remember are from glass negative with paste
rolled with brayer. They were printed with cyanotype but look very
3-dimensional.
Dave S
-----Original Message-----
From: alt-photo-process-list-bounces at lists.altphotolist.org
[mailto:alt-photo-process-list-bounces at lists.altphotolist.org] On Behalf Of
Suzanne Izzo
Sent: Friday, April 15, 2011 3:39 PM
To: alt-photo-process-list at lists.altphotolist.org
Subject: [alt-photo] Re: Cliche Verre exhibit in San Francisco
I wrote a couple weeks ago about a cliche verre exhibit in San Francisco
that included some of my work. My daughter and I attended the opening.
The exhibit is in a very nice gallery right on Sutter Street in downtown
San Francisco.
I was very happy to meet Jack Fulton (a long-time member of the list) who
came with a number of his students. Three other participating artists were
there: Courtney Johnson (the curator), Fred Parker (from nearby Sonoma), and
Frank Rossi (all the way from Germany). I would have liked to have met
Francis Schanberger's friend, Fredrik Marsh, as the descriptive titles he
gave his work were quite intriguing.
Several of you asked about seeing some of the work. I don't have a web
page, but the gallery site now has pictures of the exhibition as well as
pictures of all the individual works. In the installation pictures, my
pictures are the six small ones hung together on one wall.
The address for the exhibition pictures is:
http://www.jenkinsjohnsongallery.com/exhibitions/11cliche_verre/11clicheverr
e_main.html
(Sorry--I hoped this would copy as clickable, but apparently not.)
While in the Bay Area, I managed to visit 4 art museums. The only
photography shows were at the SFMOMA: "Helios: Eadweard Muybridge in a Time
of Change" which included a small room with photographs by some of his
contemporaries and "Exposed: Voyeurism, Surveillance, and the Camera Since
1870".
Suzanne Izzo
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