Ideally (if that's the proper term), I'd be layering colored underpainting or
gessoed base surface onto 1/8" doorskin, protecting that surface, then
applying cyanotype, making an exposure and then bleaching out the blue with
T.S.P. and toning the image with tannic acid.
Oh yeah, I'm also experimenting with diazo silk screening emulsion as a
medium to carry ceramic underglazes and fire photo images onto clay
surfaces... it working, but the image quality is pretty nasty, so far.
Please forgive my cluelessness. I'm a graduate student at San Jose St.
University, who was accepted to the program on the basis of his ceramic work,
not photo. Although I do have photo, film and video experience, it's not what
you'd call deep. Thanks in advance for any input you can provide.
Patrick Hilferty
E-Mail: PHilferty@aol.com
Web Page: http:members.aol.com/PHilferty/www/ResumePage1.html