Its a gum print on a plate which I did as an experiment and this fellow in
Florida liked it enough to put it on his web page. It tells you how it was
done and everything. George (no shrinking violet he)
On Sat, 7 Jun 1997, Dwight Shackelford wrote:
> Judy Seigel wrote:
>
> > However, I'm glad you mention ceramics. Photo or not, glazed ceramics
> > have a glorious "luminosity" that makes anything on paper, tricolor,
or
> > sculptured jello mold, seem dead next to it. I would hesitate to show any
> > kind of print next to ceramics (although that seems beyond the scope of
> > the original question).
> >
> > Judy
>
> This might not be beyond the scope at that, being the original
> questioner. When you speak of glazed ceramics, I assume you are talking
> of images "exposed" onto them, not glazed ceramics in general, or images
> glazed onto the piece. I would be interested in hearing more about
> "alt" images on glazed ceramics, processes, considerations, etc.
>
>
> Thanks for the interesting ideas so far.
>
> --
> \ Dwight Shackelford *=====*=====*=====*=====*=====*=====*=====*
> =8{:) e-mule from Jack Ass-cii *=====*=====*=====*=====*=====*=====*
> \ Visit my web page: http://www.hooked.net/~bubbha/whatsama.htm
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>