Dwight
Galina Manikova who spoke at Bath yesterday works with photo ceramics and
showed some pictures of her work (too big to bring). The first paragraph of
her program note reads:
'All ceramic materials go through four basic stages: wet, dry, bisquit and
finally burned. One can apply photographs on clay at all these stages.'
As she regularly contributes to this list I won't expose my own ignorance on
this subject further (though I did learn a few things from her talk.) Terry
King also showed a couple of tiles he had made with photographic images in the
glaze.
Peter Marshall
On Fixing Shadows and elsewhere:
http://faraday.clas.virginia.edu/~ds8s/
Family Pictures, German Indications, London demonstrations &
The Buildings of London etc: http://www.spelthorne.ac.uk/pm/
> Judy Seigel wrote:
>
> > However, I'm glad you mention ceramics. Photo or not, glazed ceramics
> > have a glorious "luminosity" that makes anything on paper, tricolor, or
> > sculptured jello mold, seem dead next to it. I would hesitate to show any
> > kind of print next to ceramics (although that seems beyond the scope of
> > the original question).
> >
> > Judy
>
> This might not be beyond the scope at that, being the original
> questioner. When you speak of glazed ceramics, I assume you are talking
> of images "exposed" onto them, not glazed ceramics in general, or images
> glazed onto the piece. I would be interested in hearing more about
> "alt" images on glazed ceramics, processes, considerations, etc.
>
>
> Thanks for the interesting ideas so far.
>
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