Steve Shapiro (sgshiya@redshift.com)
Wed, 20 Jan 1999 20:41:44 -0800
>For long-scale negatives where
>the contrast is almost the same as the final prints (visually), there could
be
>areas where you see separation in the negative but not on the prints or
vice
>versa.
>
>
>Dave
>
So, you're saying there's no way to learn what information you have on
thenegative and translate that to chemicals and paper?
I know when a negative won't print on Agfra, or Ilford Galleria and I use
Bergger to get full tonal realization; because I know their limitations and
the other's strength. It's learned by experience. Not that I'm always
right, but rarely wrong.
Th, th, that's all ...
Steve
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