Gerard NIEMETZKY (gerard@atxstudio.com)
Wed, 24 Feb 1999 08:54:18 -0500
We print with our own 4 colors pigment process, using continuous tone
separations.
Collectors Color Prints
-- Gerard Niemetzky http://www.atxstudio.com---------- >From: "S. Carl King" <sanking@hubcap.clemson.edu> >To: alt-photo-process-l@sask.usask.ca >Subject: Tricolor Carbon/Carbro Processes >Date: Tue, Feb 23, 1999, 4:08 PM >
> Rich Lahrson wrote: > >>Are there any workers on this list that >>still attempt these archival color processes? Or any workers using ANY >>color processes that use three color black and white separation negatives? >>Twenty years ago, I was all set to try this, but the turns of life >>prevented this and the source of the Carbro materials that was available >>from someone in Indiana is no more. Kodak's dropped Dye Transfer. >>If I"m not mistaken, the Fresson process is a similar tricolor >>registration system where the primary colors are combined. There's been >>mention of the Fresson process here. >> >> > > > Rich, > > I did a lot of printing with three-color carbon and carbro from between > 1982-90, using hand-coated cyan, magenta and yellow tissues. My work was > done with both in-camera separations and separations from transparencies. > These processes, especially with hand-coated materials, are rather > complicated and incredibly challenging, but also quite rewarding when the > success happens. Unfortunately, my failure rate was very high. Most of my > current printing with carbon is in monochrome but I still do some > occasional printing in color. > > Sandy King > > > > >
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