From: Brian Ellis (bellis60@earthlink.net)
Date: 05/04/01-05:55:15 AM Z
Or ask another serious question: why is this message, not to mention all the
previous messages responding to this Mr. Sullivan''s inquiry, being posted
to this group?
----- Original Message -----
From: "Lukas Werth" <lukas.werth@rz.hu-berlin.de>
To: <alt-photo-process-l@sask.usask.ca>
Sent: Friday, May 04, 2001 3:40 AM
Subject: Re: Bostick & Sullivan Circle
> At 15:03 01.05.01 -0600, you wrote:
> >
> >Hi folks,
> >
> >Just for fun I've added a new conference called Bios etc. Just a place
for
> >people to tell us something about themselves. The questions are repeated
in
> >the conference.
> >
> >Here are some ideas for starters. Of course you don't have to do all, you
> >can pick and choose. Maybe even answer just one. Or add something not
here.
> >
> >1. How long have you been working in photography? Favorite process?
> >
> >2. Influential teachers? Learned on your own?
> >
> >3. Favorite photographers other than yourself?
> >
> >4. Process you'd like to learn -- someday.
> >
> >5. Most embarrassing time with a camera in your hand. And don't say
you've
> >never had one!
> >
> >6. Worst disaster in the darkroom. You can't say you never had one here
> either!
> >
> >7. Your first time shooting a nude, if ever?
> >
> >8. What photographer, living or dead, you'd like to live a week in the
life
> >of? (David Hamilton does not count!)
> >
> >9. Your dream camera? If you were Bill Gates, what would you buy?
> >
> >10. If you could have any person in the world as a model for a day, who?
> >Portrait, nude, whatever?
> >
> >11. What questions would you ask here?
> >
> >--Dick Sullivan
> >
> >
> >
> >
> >
> >
>
> Perhaps a bit late to answer this, but why not ask a few more serious
> questions, like "what do you intend/want to express with your
> photography"?, or "what are the reasons for practicing your favourate
> process?"
> The questions given by you, Dick, seem to resemble to me somewhat those of
> a model railway or Harley Davidson club.
>
> Lukas
>
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