From: Shannon Stoney (shannonstoney@earthlink.net)
Date: 06/16/02-05:51:06 PM Z
It's at the Dallas Museum of Art, downtown. My visit on Thursday was my
first to this museum, and I really liked it. They were having a free jazz
festival in the museum and it was crowded with happy people. It seemed very
open and easy to navigate. I want to go back and look at the rest of the
collection sometime.
--shannon
----------
>From: Eric Neilsen <e.neilsen@worldnet.att.net>
>To: alt-photo-process-l@sask.usask.ca
>Subject: RE: Thomas Struth show and prints on plexiglass
>Date: Sun, Jun 16, 2002, 1:23 PM
>
> Where in Dallas? It is possible that they were mounted large prints.
> Both Kodak and Ilford made transparency print material up to 50" wide.
> Use a clear laminate and there you have it.
>
> I have yet to try it, but thin Plexiglas could run through a large ink
> jet.
>
> Eric Neilsen
> 10219 Lynford Dr
> Dallas, TX 75238
>
> -----Original Message-----
> From: Shannon Stoney [mailto:shannonstoney@earthlink.net]
> Sent: Sunday, June 16, 2002 12:41 AM
> To: alt-photo-process-l@sask.usask.ca
> Subject: Thomas Struth show and prints on plexiglass
>
> I don't know if this is a true alt-process question, but...
>
> I just saw a show in Dallas of Thomas Struth's photography. (You may
> have
> read about this show in a recent issue of the New Yorker.) Some of the
> prints are huge color prints printed on plexiglass, it appears. My
> partner
> read somewhere in the exhibit that this is the case. I am wondering how
> this is done. Is color emulsion "brushed" onto the plexiglass and then
> the
> plexi/emulsion is exposed and developed like any other color print?
> Can
> you "brush" other sorts of emulsions onto plexiglass?
>
> The black and white silver gelatin prints were really beautiful also. In
> fact I liked them better than the color prints. They would have been
> great
> in pt/pd, but you have to admit, sometimes silver gelatin has its
> applications.
>
> --shannon
>
>
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