From: Judy Seigel (jseigel@panix.com)
Date: 09/12/02-09:59:06 PM Z
On Wed, 11 Sep 2002, Christina Z. Anderson wrote:
> ...I've done it all ways: printing with a slide, with a
negative, with
> sabattiering it, with not sabattiering it, with doing it before fixing, with
> doing it after fixing, with using weak dektol, strong dektol, thiocarbamide
> for redeveloping, with warmtone paper, cold tone paper, fiber, RC, different
> chems, different peroxides, different formulae, rubbing, not rubbing,
> hardened paper, not hardened paper, old prints, fresh prints, copper
> sulfate, copper chloride, hot water rub, room temp water rub, heating the
> print in a dry mount press, not heating the print, doing all under room
> light, doing all under safelight.....you get the picture.
and you find the process done from an already fixed print as interesting
as one from a print not fixed, silver rubbed out, then re-exposed &
redeveloped?
J.
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