Re: mordancage and dye mordanting

About this list Date view Thread view Subject view Author view

From: Judy Seigel (jseigel@panix.com)
Date: 09/12/02-09:59:06 PM Z


On Wed, 11 Sep 2002, Christina Z. Anderson wrote:
> ...I've done it all ways: printing with a slide, with a
negative, with
> sabattiering it, with not sabattiering it, with doing it before fixing, with
> doing it after fixing, with using weak dektol, strong dektol, thiocarbamide
> for redeveloping, with warmtone paper, cold tone paper, fiber, RC, different
> chems, different peroxides, different formulae, rubbing, not rubbing,
> hardened paper, not hardened paper, old prints, fresh prints, copper
> sulfate, copper chloride, hot water rub, room temp water rub, heating the
> print in a dry mount press, not heating the print, doing all under room
> light, doing all under safelight.....you get the picture.

and you find the process done from an already fixed print as interesting
as one from a print not fixed, silver rubbed out, then re-exposed &
redeveloped?

J.


About this list Date view Thread view Subject view Author view

This archive was generated by hypermail 2.1.5 : 10/01/02-03:47:09 PM Z CST