Re: digital question (flaunt expertise, please...)

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From: Judy Seigel (jseigel@panix.com)
Date: 09/20/02-07:15:28 AM Z


On Fri, 20 Sep 2002 FDanB@aol.com wrote:

> For example: the Epson 1280 drove me crazy for months because it flooded
> the Pictorico OHP (a very fine transparency film) with too much ink. I
> finally went back to creating an orange safelight color ink to apply from
> Photoshop (like I had to way back in the Paleolithic period on the Epson
> Photo EX) and can now make splendid desktop platinum negatives with stock
> Epson dyes. For silver printers, the Pictorico PGHG White Film can make
> desktop negs that print with near camera-original results from the 1280.
> Though some might complain at the expense, $1.75 for an 8x10 negative
> (and one with which you can finesse your contrast) strikes me as a
> terrific bargain.

This fascinating discussion is going to make me late to exercise class
(exercise the body --- sooooo much nicer), but I must say that one of the
substrates NOT giving me even steps and not as many is *Pictorico* -- I'm
printing on Epson 1160.

I gather that the step tablet I made with a change of 5 degrees with the
little thingy on every step isn't the right approach for digital... I
couldn't open your curves, however Dan -- in your CD: They were marked
AVC or like that & my %$#@&*^%$#@!()&%^%$##!! new system 9 informed me,
honey we don't recognize that ...

later,

J.

>
> The carbon-based pigments that Jon Cone (Piezography) uses are very
> effective at blocking UV but because the pigments don't adhere to the
> transparency film well, a protective overcoat spray is needed.
>
> Finally, getting back to your question: "Why does it print fewer steps --
> on each of 5 substrates I'm testing -- than the Stouffer 21-step I'm
> printing next to it?" And your second question addressed the uneven print
> densities: " wildly uneven -- sort of grand canyon leaps at top, then
> squished at the bottom."
>
> Both these have to do with FOUR variables: your printer, your inks, your
> substrates, and, finally...the wild-ass curve you must apply in Photoshop
> to compensate for the first three variables.
>
> If you don't start with one of the printer/inks/substrate/curve
> combinations that I or someone else has test-driven, you're on your own
> for printing step tablets and tweaking curves. And yes, it can be time
> consuming. What I'm saying is that the "vellum" you're using may work
> just fine once you discover the perfect combination. In the mean time,
> why don't you start with one of the Pictorico/Epson combos that perform
> well for silver or platinum?
>
> Another question might be: why the dickens am I writing about digital
> negs at 1:30am?
>
> Hope this helps.
>
> Dan
>
> www.danburkholder.com
>
> "Imagination is more important than knowledge."
> - Albert Einstein
>
> "Knowledge in moderation ain't bad either."
> - Dan Burkholder
>


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