> I also think perhaps the nature of the digital negative (on/off vs.
> continuous tone) impacts the results Chris reports.
FWIW, diginegs in pt/pd behave very differently during printing than
in-camera negs. The control of contrast through restrainers in either
the sensitizer or the developer seems to allow a lot less fine control
when using diginegs. I suspect that the reason for this is, as Judy
stated, the fact that a dot is either 'on' or 'off' in these negs. It
takes one helluva lot of restrainer to make a big change in the
contrast of the resulting print.
Clay
Received on Mon Dec 1 05:55:41 2003
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