From: Sandy King (sanking@clemson.edu)
Date: 02/14/03-06:29:29 PM Z
Chris,
I am far from an expert on this but do will nonethess offer some
comments as a starting point.
>For all you salt print aficionados:
>
>1. Is ossein gelatin better in any way than Knox?
Not any difference that I can detect.
>2. Do those of you who do this process use a 5% or 10% fixing bath? One or
>two baths?
I use a 5% solution, with two baths.
>3. Do you overexpose it 2 stops to account for lightening in the
>fixing/washing steps, or more (this equals 4 steps on a Stouffer's,
>correct)?
Yes, the print out image must be overexposed. Exactly how much you
will have to determine for yourself.
>4. Does a gelatin/salt coating produce warmer or colder tones? Reilly says
>warmer/redder but it seems other sources say colder.
To what are you comparing the gelatin/salt combination?
>5. Anyone use a regular Edwards light box with salt? Is it too slow?
Direct sun will work much better with salted paper. For this process
to work well you need a very stout and contrasty negative. Exposures
with a BL bank will be incredibly long with this kind of negative. An
exposure that might take 10 minutes in the sun could run more than 2
hours with the BL tubes.
>6. Anyone try printing toward the sun with tissue paper diffusion to
>increase contrast? Why technically does the sun produce the lowest
>contrast--caillier effect?
Who told you that the sun produces the lowest contrast? If the
comparison is BL tubes my experience is the opposite.
Sandy
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