From: Christina Z. Anderson (zphoto@montana.net)
Date: 01/26/03-11:31:26 PM Z
OK, guys; below is the list I have compiled of papers for cyanotype. I have
culled these from every book and post I have ever checked on cyano. My
question: has anyone NOT had a good experience with any of these? Which
one? What did it do? I know, Don Bryant, you did not like Fabriano Uno,
and I am wondering why it did not work for you. I have now tested 7
Japanese papers, and also Crane's platinotype, Fabriano Uno and Artistico,
Arches Aquarelle and another one. Of these, two of the Japanese papers
disintegrated in the wash, but 5 were wonderful, especially the really thin
onion skin-y gampi. Tremendously strong albeit very hard to coat--I would
lay it on top of the sensitizer in a tray, I think, because it rolls up on
the rod, and a brush makes it mush together while coating unless you really
taped it down well.
Chris
Arches Platine, Platinotype, Aquarelle
Atlantis Silversafe
Bienfang 360 Layout paper
Bockingford paper.
Buxton
Canson Opalux Vellum
Crane's Parchmont Wove, Crest Parchment, +Platinotype, Natural, AS 8111
Fabriano Satinata, Artistico, 5,
Gampi
Hahnemuhl etching
Hollingsworth Kent
Japon Nacre
Lana
Lenox from Daniel Smith
MASA--spread quickly with a brush as it absorbs like a sponge
Rives Bristol
Rising Bristol
RKB Arches
Roll of Oriental Rice paper for Sumi.
Saunder's Waterford
Somerset Book
Strathmore drawing, 500
Twinrocker Whitefeather deckle
Twinrocker White Printmaking
Van Gelder Simili
Whatman watercolor
BW fiber photos
Rives BFK
Rice paper on rough side
White Wove
Whatmans's Printmaking paper
Cotton, silk charmeuse, crepe de chine, pongee, sheeting, knits, gauze,
viscose/rayon
This archive was generated by hypermail 2.1.5 : 02/21/03-10:44:17 AM Z CST