According to my understanding of this information below from the web site of Strange Ross, polymer gravure is not a planographic process ie: litho. In this quote from his web site, he talks of grooves and
accumulation of ink in the grooves.
"The mechanism of the process is as follows: If a single exposure to UV light is made through the aquatint screen, after development the polymer surface
will be covered with a network of fine ridges and grooves, much like the aquatint of an etched metal plate; once the plate is inked up, the printing ink
lodges in the grooves, and the plate will print a deep black. However, if the polymer plate is given an additional exposure with a continuous-tone positive
of the chosen image, then the UV light - according to the densities of the positive - will harden the potential ridges and grooves to varying degrees; this
again will produce variations in the amount of accumulated ink, with corresponding modulations of the tones of the print."
My 2 cents worth,
Robert Newcomb
Greg Schmitz wrote:
> I don't discount that it is possible to pull some very nice prints
> from photopolymer plates. I would question if any process should be
> called Gravure unless it is an intaglio printing process. Calling a
> process, which is not an intaglio process, "Photogravure" is
> misleading although calling it such would have some "retro" appeal
> (good marketing hook). If it is possible to use photopolymer plates
> so as to produce a plate that prints in the same manner as a Gravure
> plate then I will have no problem calling it a Gravure process;
> otherwise the terminology is just plain wrong.
>
> -greg schmitz <gws1@columbia.edu>
>
> On Mon, 3 Nov 2003, Jalo Porkkala wrote:
>
> > Hello List,
> >
> > for all those thinking polymer gravure is not "real" photogravure a couple of web sites to visit. Polymer gravure has been practitioned in Scandinavia well over 10 years now, and the results can be stunning ...
> >
> > http://www.psy.ku.dk/ross/
> > http://www2.uiah.fi/~teofilus/
> > http://www.photoeye.com/templates/ShowDetailsbyCat.cfm?Catalog=ZB305
> >
> > Jalo
> >
> >
> > jack reisland kirjoitti 02.11.2003 kello 21:29:
> > >
> > >
> > > "Gordon J. Holtslander" wrote:
> > >
> > > >
> > > > Are the resulting prints from photopolymer plates and traditional
> > > > photogravure sigificantly different?
> > > >
> > > > Gord
> > > >
> > >
> > > Yes, indeed they are. Photopolymer etching is a two dimensional process,
> > > where
> > > the variation in tone is acheived by spacing the ink closer or farther
> > > apart,
> > > much like an ink jet print. Copper plate photogravure adds a 3rd
> > > dimension,
> > > by
> > > also varying the depth of the cells, or holes etched into the copper
> > > plate,
> > > and
> > > thereby varying the thickness of the ink applied to the paper. This
> > > results
> > > in a
> > > richness and depth in the image, especially in the darker tones, that
> > > cannot be
> > > matched by photopolymer plates.
> > >
> > > J. Reisland
> > >
> >
> >
> > ............................................................
> > Maksuton sähköposti aina käytössä http://luukku.com
> > Kuukausimaksuton MTV3 Internet-liittymä www.mtv3.fi/liittyma
> >
> >
Received on Mon Nov 3 10:23:59 2003
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