> I remember our interchange very well most enjoyable.
Hi Pete,
Yes, and thanks for your help too. I don't know if I ever mentioned it, but
that image that I got on my 3rd trial was the first image I have ever done
with alt. process. It was such a joy when I saw that first image (although
it was just a small 35mm image). :-)
> > 3. To coat using the foam roller, you should roll in the "emulsion" and
then
> > roll on a piece of glass or tile, like you would do the inking in
> > printmkaing; and then from the glass/tile, you roll to the yupo or RC
paper.
> > That way you get a really thin and even layer or coating.
>
>
> I have never advised this proceedure this is down to you Dave.
> Having said that what a good idea. I have developed and used a smilar
method
> for inking up Bromoil and oil prints, but that was another process another
> time.
Really!? But for some reason I did that on my intial trials on temperaprint!
Maybe my memory is fading, but I thought even asked you about it because I
didn't understand the instruction. I know you didn't mention printmaking,
but didn't you describe smoothing the emulsion up on a piece of tile or
something like that? How else do you do it? Do you just dip the foam roller
in the emulsion and then coat?
Best Regards,
Dave S
>
> Best wishes
>
> Pete
>
> > Hi Loris,
> >
> > I followed this discussion. It looks like maybe you are not interpreting
the
> > instructions correctly. Here is a few observations:
> >
> > 1. Unless Pete changed his instruction, the original instructions use
liquid
> > acrylic. It sounds like you are using regular acrylic. Is that true? If
so,
> > the proportion of acrylic to the sensitizer might be too high.
> >
> > 2. The coating on the RC paper should be on the back side, not the
gelatin
> > side. The idea is to use the plastic/resin.
> >
> > 3. To coat using the foam roller, you should roll in the "emulsion" and
then
> > roll on a piece of glass or tile, like you would do the inking in
> > printmkaing; and then from the glass/tile, you roll to the yupo or RC
paper.
> > That way you get a really thin and even layer or coating.
> >
> > I tried Temperaprint 5 or 6 years ago with Pete's help over emails. I
got a
> > nice image on 3rd trial. At that time the synthetic paper Kimdura was
hard
> > to find, so I didn't do much further. Now that Yupo is so easy to get, I
> > might do some printing with this method.
> >
> >
> > Dave S
> >
> > ----- Original Message -----
> > From: "Loris Medici" <loris_medici@yahoo.com>
> > To: <alt-photo-process-l@sask.usask.ca>
> > Sent: Wednesday, February 04, 2004 9:24 AM
> > Subject: Re: Some temperaprint questions - beware! these are
dummy,beginners
> > questions
> >
> >
> >>
> >> ----- Original Message -----
> >> From: "pete" <temperaprint@blueyonder.co.uk>
> >> To: <alt-photo-process-l@sask.usask.ca>
> >> Sent: Wednesday, February 04, 2004 3:01 PM
> >> Subject: Re: Some temperaprint questions - beware! these are
> > dummy,beginners
> >> questions
> >>
> >>
> >>> ...
> >>> Forget "theoretic" calculation the first thing you must do is to make
a
> >>> simple three coat monochrome Egg-tempera-printprint and forget all
about
> >>> Gum. And then come back to me.
> >>
> >> I temporarily gave up with Temperaprint because I don't have access to
> >> suitable material (we're on holiday here in Istanbul; art supply and
paint
> >> supply stores are closed) like Yupo paper (I found fixed RC paper
> >> troublesome to deal with) and a nice, big foam roller (I tried glass
rod,
> >> the coat was much better but uneven). I will return to you as soon as I
> > get
> >> these and make my first real try.
> >>
> >> Regards,
> >> Loris.
> >>
> >>
> >>
> >>
> >
>
>
Received on Wed Feb 4 11:42:27 2004
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