Thanks, Joe.  This was Fujifilm, but I've never used b&w 4x5 Fujifilm, 
so I don't know how new it is, or whether it is suffering the same fate 
with the film base as TMAX 100, but it sounds like it.  A 4 hour 
exposure would have been about right, I think!  I'm glad to hear of 
your experience, too...I was really at a loss...because, as I said, the 
negatives just looked so perfect.
Anyway..thanks for your input.
Diana
On Oct 31, 2004, at 4:59 PM, Joe Smigiel wrote:
> Diana,
>
> There has been some recent evidence and online discussion of the fact
> that the new TMAX 100 and Plus-X films have a new film base that
> incorporates a UV blocking layer.  That might be the problem.
>
> I recently had a similar experience with one of my students who
> attempted without success to make a cyanotype from a new TMAX 100
> negative.  Visually and as measured on a non-UV transmission
> densitometer, the negative should have printed wonderfully but it 
> failed
> even with greatly extended exposure.  The skinny is that the new films
> block between 2-3 stops of UV exposure.  A standard one-half hour
> cyanotype exposure with older negatives would  require a 4-hour 
> exposure
> if the new film was used and the new film base blocked 3 stops.
>
> Joe
>
>>>> dhbloomfield@bellsouth.net 10/31/04 1:10 PM >>>
> Hi all,
>
> I have a question about negatives developed in Pyro.  I taught a
> cyanotype workshop yesterday, and while it all went well, there was a
> man in the class who brought, what appeared to be, some of the most
> beautiful 4x5 negatives I've ever seen.  In fact, I thought they would
> have been perfect for platinum printing.  We had light boxes, and
> people also used the sun.  But when he tried to print these gorgeous
> negatives, the exposure time (in the light box) was stretching an hour
> or more..and still, he was losing so much, especially in the highlight
> area, and basically getting faint, washed-out images.  He tried
> exposing for nearly 2 hours, and he just wasn't getting anything.  We
> tried various options, with coating, with different papers..but these
> negatives, though "perfect" by my estimation (and not bullet-proof in
> appearance), were just impossible for making a decent cyanotype.  He
> then told me, towards the end, that he had developed these in Pyro.  I
> thought Pyro was great for platinum..and would have thought okay for
> cyantype.  Haven't I read that before?  But not so in this case.
> That's the only explanation I could think of (the Pyro stain).  Can
> anybody tell me if this was the problem, and if so, why don't Pyro
> developed negatives work for cyanotype?
>
> If this has been discussed innumerable times before...I apologize...but
>   thanks for any help.
>
> Diana
>
>
Received on Sun Oct 31 16:27:37 2004
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