Thanks, Judy. There are certainly lots of angles to consider here (excuse the pun - smiles). Cheers! JT
-- Judy Rowe Taylor Mukilteo, WA Art is a voice of the heart, a song of the soul. www.enduringibis.com jude.taylor@comcast.net or judyrowetaylor@enduringibis.com > > On Mon, 1 Aug 2005, jude.taylor@comcast.net wrote: > > > I did not use any reflectors, but that is a possibility that might help. The > top of the box INSIDE above the bulbs is all white and should, as far as I can > figure, reflect rather than absorb the UV. There are, however, several inches > of space from the tip of the coil to the base of the ceramic sockets (top of > box), and the sides of the box were not painted white or lined with reflective > material. > > > > Hummmh! I wonder if silver / white "tea chest" paper lining would work? > > Judy, I have no idea if my experience with reflectors would apply to your > experience with reflectors, but --FWIW -- I found that all the ones I > tried (with tube flourescents) diffused the light either some or a lot, > hence costing sharpness, some or a lot. Crumpled aluminum foil on the base > was the worst, but even just plain white cost sharpness. I don't know why > exactly. But I don't need to know why. I observed it -- (easiest to judge > how much with a 21-step of course). > > "Tea chest" paper might be medium bad -- not likely to lie *perfectly* > flat, also with some pattern or mini-grooves of reflection, but not as bad > as crumpled foil. > > That, BTW, may not happen in your setup as much as it did in mine if > you've got serious-level vacuum frame -- but that's only a guess. It could > be irrespective of print sandwiching techniques, but in any event needs to > be watched for. > > JudyReceived on Fri Aug 5 12:14:52 2005
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